
Bradford Lipson
Bradford Lipson is an American cinematographer. He graduated from a filmmaking course at Denver’s Career Education Center. He later moved to Los Angeles, California to work as a gaffer.
Biography from TMDB.
- Cinematographer
- 27 on MovieCove · 28 credits in all
What are Bradford Lipson's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 5 · Serious 0 · Dark 0
Grounded 4 · Stylized 1 · Heightened 0
Gentle 2 · Charged 3 · Intense 0
A split, not a type: Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 0 · Funny 4
Slow burn 1 · Even-paced 3 · Relentless 1
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bradford Lipson's films?
As of October 24, 2026, 5 of their 27 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Bradford Lipson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 27 with a MovieCove page.

Rolling Loud(2026)
Midcredits score: 42nd percentile of all films
Prom Dates(2024)
Midcredits score: 18th percentile of all films
Motel Room (not in the MovieCove catalog yet)(2023)

In the Dark(2019)
Midcredits score: 78th percentile of all shows
Midcredits score: 25th percentile of all shows
Pure Country Pure Heart(2017)
Midcredits score: 59th percentile of all films
The Female Brain(2017)
Midcredits score: 33rd percentile of all films
Graves(2016)
Midcredits score: 28th percentile of all shows
The Wedding Ringer(2015)
Midcredits score: 59th percentile of all films
American Virgin(1999)
Midcredits score: 1st percentile of all films
Midcredits score: 74th percentile of all films
Midcredits score: 74th percentile of all films
Midcredits score: 81st percentile of all films
Midcredits score: 80th percentile of all films
Midcredits score: 80th percentile of all films
Midcredits score: 82nd percentile of all films
Midcredits score: 78th percentile of all films
Midcredits score: 78th percentile of all films
Midcredits score: 78th percentile of all films
Midcredits score: 80th percentile of all films
Midcredits score: 71st percentile of all films
Midcredits score: 76th percentile of all films
Midcredits score: 87th percentile of all films
Midcredits score: 75th percentile of all films
Midcredits score: 82nd percentile of all films
Midcredits score: 82nd percentile of all films
Midcredits score: 79th percentile of all films
Midcredits score: 83rd percentile of all films
Career shape
A full career of 27 titles from 1987 to 2026.

Biggest box office
The Wedding Ringer (2015)

Highest rated
The Wedding Ringer (2015)

Most popular right now
Rolling Loud (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Bradford Lipson's films land?
Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 24; across their 5 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up16
- 50th to 74th5
- 25th to 49th4
- Below 25th2
Shape of the crowd
20 of their 27 titles are Crowd Pleasers.
- Universally Panned1
- Cult Classic1
- Crowd Pleaser20
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Bradford Lipson's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Bradford Lipson work with?
People who share at least 2 of Bradford Lipson's MovieCove titles, grouped by what they did on them; Jeremy Garelick shares the most, 4.
Directors
- Jeremy GarelickShared titles: Rolling Loud (2026), Prom Dates (2024), Best. Worst. Weekend. Ever. (2018), The Wedding Ringer (2015)See all 4 shared titles with Jeremy Garelick

Composers
- Christopher LennertzShared titles: Best. Worst. Weekend. Ever. (2018), The Wedding Ringer (2015)See all 2 shared titles with Christopher Lennertz

Producers
- Will PhelpsShared titles: Rolling Loud (2026), Prom Dates (2024)See all 2 shared titles with Will Phelps

Mixed roles
- Kevin HartShared titles: Prom Dates (2024), The Wedding Ringer (2015)See all 2 shared titles with Kevin Hart
