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Jeremy Leven

Jeremy Leven

Writer, director and producer · South Bend, Indiana, USA

Jeremy Leven (born 1941) is an American screenwriter, director, producer, and novelist. Born in South Bend, Indiana, Leven lives in Woodbridge, Connecticut, Nantucket, and Paris. Leven was educated at St. John's College in Annapolis, Maryland, Harvard University, the University of Connecticut and Yale University Medical School. While at Harvard he founded a satirical revue called The Proposition that ran for ten years in Cambridge, Massachusetts and off-Broadway. Leven's first novel, Creator, was published in 1980 and released as a film of the same title in 1985. Leven is a practicing clinical psychologist, a theme incorporated in his second novel, "Satan, His Psychotherapy and Cure by the Unfortunate Dr. Kassler, J.S.P.S., which was published in 1982 and filmed as Crazy as Hell in 2002. Leven wrote and directed Don Juan DeMarco (1995), wrote and produced Alex & Emma (2003), and wrote the screenplays for The Legend of Bagger Vance (2000) and The Notebook (2004). His screenplay for The Time Traveler's Wife was in production in 2007. Description above from the Wikipedia article Jeremy Leven, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

From
South Bend, Indiana, USA
Works as
Writer, director and producer
Titles
10 on MovieCove · 11 credits in all
TMDB popularity, last 37 days to Oct 26Down 28% in 30 days

What are Jeremy Leven's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 1 · Dark 2

A split, not a type: Grounded 5 · Stylized 4 · Heightened 0

A split, not a type: Gentle 6 · Charged 2 · Intense 1

Steady 8 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 4 · Funny 1

Slow burn 8 · Even-paced 1 · Relentless 0

Casual 8 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 3

Resolved 7 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
5
Bittersweet
4
Hopeful
3
Joyful
3
Warm
3
Other
8

How their films end · 3 with a twist

  • Happy2
  • Bittersweet6
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeremy Leven's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Jeremy Leven's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

  • Girl on a Bicycle(2013)

    Director · Producer · Writer

    Midcredits score: 48th percentile of all films
  • Wer's glaubt, wird selig(2012)

    Producer · Screenplay

    Midcredits score: 47th percentile of all films
  • Real Steel(2011)

    Story

    Midcredits score: 84th percentile of all films
  • My Sister's Keeper(2009)

    Screenplay

    Midcredits score: 86th percentile of all films
  • The Notebook(2004)

    Screenplay

    Midcredits score: 96th percentile of all films
  • Alex & Emma(2003)

    Producer · Writer

    Midcredits score: 22nd percentile of all films
  • Crazy as Hell(2002)

    Screenplay

    Midcredits score: 39th percentile of all films
  • Midcredits score: 68th percentile of all films
  • Don Juan DeMarco(1994)

    Director · Screenplay

    Midcredits score: 69th percentile of all films
  • Playing for Keeps (not in the MovieCove catalog yet)(1986)

    Writer

  • Creator(1985)

    Novel · Screenplay

    Midcredits score: 50th percentile of all films

Career shape

A full career of 11 titles from 1985 to 2013.

By role

only this rolewith another role
Directing2 of 11: 0 only directing, 2 with another roleWriting11 of 11: 8 only writing, 3 with another role · typical Midcredits score59thProducing2 of 11: 0 only producing, 2 with another role

11 titles, 3 with more than one role — writing and directing overlap on 2 of them.

By decade

1980s2 · crew1990s1 · crew2000s5 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jeremy Leven's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 9

Approval · how many liked their films

54thpercentile
Typical film, the median of 9

Reach · how many have seen their films

84thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

6 of their 10 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser6
  • Broadly Agreed1
  • Mixed2

Reviewers score the dialogue 55/100 and the plot and story 43/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jeremy Leven's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 33 · mildMedian of all films: 44
Sex & Nudity5 titles29–64 · median 58 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 39 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 35 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 29 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jeremy Leven work with?

People who share at least 2 of Jeremy Leven's MovieCove titles, grouped by what they did on them; Nick Cassavetes shares the most, 2.

Directors

Composers, cinematographers and editors

Producers