Warner E. Leighton

What are Warner E. Leighton's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Warner E. Leighton's films?

As of October 24, 2026, 5 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • The Flintstones (1960) · editor · free
  • Gone in 60 Seconds (1974) · editor · free
  • C.H.O.M.P.S. (1979) · editor · free
• Prime Video2 titles, browse their movies on this service
  • C.H.O.M.P.S. (1979) · editor
  • The Trouble with Spies (1987) · editor
• The Roku Channel2 titles, browse their movies on this service
  • Once Upon a Texas Train (1988) · editor · free
  • C.H.O.M.P.S. (1979) · editor · free
• MGM+1 title, browse their movies on this service
  • C.H.O.M.P.S. (1979) · editor
• Pluto TV1 title, browse their movies on this service
  • Gone in 60 Seconds (1974) · editor · free

Subscription and free streaming for Warner E. Leighton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 17 with a MovieCove page.

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  Once Upon a Texas Train(1988)

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  Midcredits score: 35th percentile of all films35^th
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  Where the Hell's That Gold?!!?(1988)

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  Midcredits score: 25th percentile of all films25^th
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  The Trouble with Spies(1987)

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  Midcredits score: 5th percentile of all films5^th
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  Rock Odyssey (not in the MovieCove catalog yet)(1987)

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  Sparky's Magic Piano(1987)

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  Midcredits score: 44th percentile of all films44^th
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  Deadline Auto Theft (not in the MovieCove catalog yet)(1983)

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  The Junkman (not in the MovieCove catalog yet)(1982)

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  Wolf Lake (not in the MovieCove catalog yet)(1980)

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  C.H.O.M.P.S.(1979)

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  Midcredits score: 20th percentile of all films20^th
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  Gone in 60 Seconds(1974)

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  Midcredits score: 55th percentile of all films55^th
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  Shootout in a One Dog Town(1974)

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  Midcredits score: 81st percentile of all films81^st
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  The Banana Splits in Hocus Pocus Park (not in the MovieCove catalog yet)(1972)

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  The American Dreamer (not in the MovieCove catalog yet)(1971)

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  Shinbone Alley (not in the MovieCove catalog yet)(1970)

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  Jack and the Beanstalk(1967)

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  Midcredits score: 71st percentile of all films71^st
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  Birdman(1967)

  Show Editor

  Midcredits score: 42nd percentile of all shows42^nd
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  Moby Dick and the Mighty Mightor(1967)

  Show Editor

  Midcredits score: 32nd percentile of all shows32^nd
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  Alice in Wonderland or What's a Nice Kid Like You Doing in a Place Like This?(1966)

  Supervising Editor

  Midcredits score: 48th percentile of all films48^th
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  Space Ghost(1966)

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  Midcredits score: 61st percentile of all shows61^st
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  The Atom Ant Show(1965)

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  Midcredits score: 28th percentile of all shows28^th
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  The Secret Squirrel Show(1965)

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  Midcredits score: 38th percentile of all shows38^th
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  Hey There, It's Yogi Bear(1964)

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  Midcredits score: 61st percentile of all films61^st
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  Top Cat(1961)

  Show Editor

  Midcredits score: 56th percentile of all shows56^th
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  The Flintstones(1960)

  Show Editor

  Midcredits score: 72nd percentile of all shows72^nd
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  Affair in Havana (not in the MovieCove catalog yet)(1957)

  Sound Editor

Career shape

A full career of 16 titles from 1957 to 1988.

Biggest box office

Hey There, It's Yogi Bear (1964)

$2.4M worldwide

Highest rated

The Flintstones (1960)

Midcredits 72^nd

How do Warner E. Leighton's films land?

Their typical MovieCove film has a Midcredits score in the 46^th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 40^th percentile for acclaim.

Shape of the crowd

7 of their 17 titles are Crowd Pleasers.

76

• Universally Panned1
• Cult Classic1
• Crowd Pleaser7
• Broadly Agreed2
• Mixed6

Most divisive · editor

Alice in Wonderland or What's a Nice Kid Like You Doing in a Place Like This? (1966)

75^th percentile spread · 20% rated it 4 or lower

Most loved · editor

Shootout in a One Dog Town (1974)

Midcredits 81^st · 67% liked

Reviewers score the pacing 44/100 in their films, across 8 reviewed titles; fans 56, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Warner E. Leighton work with?

People who share at least 2 of Warner E. Leighton's MovieCove titles, grouped by what they did on them; Joseph Barbera shares the most, 11.