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Federico Landeros

Editor

Works as
Editor
Titles
9 on MovieCove · 54 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 4% in 30 days

What are Federico Landeros' films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Themes

share of theme weight
Self
30%
Morality
19%
Power
16%
Society
15%
Bonds
11%
Survival
8%
Identity2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeIsolation3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeFaith2 titles, browse their movies with this themeGreed2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 2 · Wry 1 · Earnest 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 2 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 5 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 4 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 4 · Engaged 3 · Full focus 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Absurd
4
Dread
4
Melancholic
4
Cold
2
Other
4

How their films linger

Unsettling6 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Bittersweet1
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Federico Landeros' films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Federico Landeros' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

54 credits, 9 with a MovieCove page.

  • Serpientes y escaleras (not in the MovieCove catalog yet)(1992)

    Editor

  • Muerte Ciega (not in the MovieCove catalog yet)(1992)

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  • Secuestro a Mano Armada (not in the MovieCove catalog yet)(1992)

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  • Fin de semana en Garibaldi (not in the MovieCove catalog yet)(1991)

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  • Garra de tigre (not in the MovieCove catalog yet)(1989)

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  • Romelia's Secret (not in the MovieCove catalog yet)(1988)

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  • Vuelven los pistoleros famosos III (not in the MovieCove catalog yet)(1987)

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  • Living Is What Matters (not in the MovieCove catalog yet)(1987)

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  • The Laundry Room (not in the MovieCove catalog yet)(1987)

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  • Terror and Black Lace(1986)

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    Midcredits score: 47th percentile of all films

  • Cruz de olvido (not in the MovieCove catalog yet)(1984)

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  • Esos viejos raboverdes (not in the MovieCove catalog yet)(1983)

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  • Se me sale cuando me río (not in the MovieCove catalog yet)(1983)

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  • The Flying Pony (not in the MovieCove catalog yet)(1982)

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  • In the Storm (not in the MovieCove catalog yet)(1982)

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  • El mil usos (not in the MovieCove catalog yet)(1981)

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  • Buscando un campeon (not in the MovieCove catalog yet)(1980)

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  • Pubertinaje (not in the MovieCove catalog yet)(1978)

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  • El reventón(1977)

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    Midcredits score: 2nd percentile of all films (provisional, few ratings)

  • Celestina (not in the MovieCove catalog yet)(1976)

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  • Mexico, Mexico, ra, ra, ra! (not in the MovieCove catalog yet)(1976)

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  • Mary, Mary, Bloody Mary(1975)

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    Midcredits score: 16th percentile of all films

  • El caballo torero (not in the MovieCove catalog yet)(1973)

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  • The Holy Mountain(1973)

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    Midcredits score: 94th percentile of all films

  • Dr. Tarr's Torture Dungeon(1973)

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    Midcredits score: 21st percentile of all films

  • Besos, Besos... y Más Besos (not in the MovieCove catalog yet)(1973)

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  • Angels and Cherubs (not in the MovieCove catalog yet)(1972)

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  • Los perturbados (not in the MovieCove catalog yet)(1972)

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  • El deseo en otoño(1972)

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    Midcredits score: 52nd percentile of all films (provisional, few ratings)

  • El arte de engañar(1972)

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    Midcredits score: 36th percentile of all films (provisional, few ratings)

  • Jesús, María y José (not in the MovieCove catalog yet)(1972)

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  • Apolinar (not in the MovieCove catalog yet)(1972)

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  • Los ángeles de la tarde (not in the MovieCove catalog yet)(1972)

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  • Jesús, el niño Dios (not in the MovieCove catalog yet)(1971)

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  • Jesús, nuestro Señor (not in the MovieCove catalog yet)(1971)

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  • El sinvergüenza(1971)

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    Midcredits score: 53rd percentile of all films (provisional, few ratings)

  • La hora desnuda (not in the MovieCove catalog yet)(1971)

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  • El Topo(1970)

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    Midcredits score: 85th percentile of all films

  • La Captura De Gabino Barrera (not in the MovieCove catalog yet)(1970)

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  • Vuelve el ojo de vidrio (not in the MovieCove catalog yet)(1970)

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  • El ojo de vidrio (not in the MovieCove catalog yet)(1969)

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  • Patsy My Love (not in the MovieCove catalog yet)(1969)

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  • Love Traps (not in the MovieCove catalog yet)(1969)

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  • The Dilemma (not in the MovieCove catalog yet)(1969)

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  • The Surprise (not in the MovieCove catalog yet)(1969)

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  • Yvonne (not in the MovieCove catalog yet)(1969)

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  • Lauro Puñales (not in the MovieCove catalog yet)(1969)

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  • Las infieles (not in the MovieCove catalog yet)(1969)

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  • Caballo prieto azabache (not in the MovieCove catalog yet)(1968)

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  • Mujeres, mujeres, mujeres (not in the MovieCove catalog yet)(1967)

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  • The Incredible Face of Dr. B. (not in the MovieCove catalog yet)(1963)

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  • Nostradamus: The Genie of Darkness (not in the MovieCove catalog yet)(1962)

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  • El muchacho de Durango (not in the MovieCove catalog yet)(1962)

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  • Cazadores de cabezas (not in the MovieCove catalog yet)(1962)

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Career shape

A full career of 53 titles from 1962 to 1992.

Biggest box office

El Topo (1970)

$162K worldwide

Highest rated

The Holy Mountain (1973)

Midcredits 94th

By role

only this rolewith another role
Editing53 of 53: 53 only editing, 0 with another role · typical Midcredits score42nd

By decade

1960s14 · crew1970s22 · crew1980s13 · crew1990s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Federico Landeros' films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 9

Approval · how many liked their films

48thpercentile
Typical film, the median of 9

Reach · how many have seen their films

33rdpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th3

Shape of the crowd

6 of their 9 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser1
  • Mixed6

Most divisive · editor

El arte de engañar (1972)

64th percentile spread · 25% rated it 4 or lower

Most loved · editor

The Holy Mountain (1973)

Midcredits 94th · 81% liked

Reviewers score the pacing 40/100 in their films, across 5 reviewed titles; fans 53, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Federico Landeros' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 76 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Federico Landeros work with?

People who share at least 2 of Federico Landeros' MovieCove titles, grouped by what they did on them; Juan López Moctezuma shares the most, 3.

Directors

Actors

Cinematographers

Producers