Skip to content
MovieCove

Karen King

Producer

Works as
Producer
Titles
3 on MovieCove · 6 credits in all
TMDB popularity, last 37 days to Oct 26Up 1% in 30 days

What are Karen King's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Themes

share of theme weight
Power
51%
Bonds
26%
Morality
11%
Survival
8%
Self
4%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 1 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 1 · Relentless 1

Casual 2 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
1
Joyful
1
Absurd
1
Cathartic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Karen King's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Karen King's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Hogtown (not in the MovieCove catalog yet)(2005)

    Executive Producer

  • El Contrato(2003)

    Producer

  • Booty Call(1997)

    Producer

    Midcredits score: 29th percentile of all films
  • Gang in Blue(1996)

    Producer · as Black Nanny

    Midcredits score: 27th percentile of all films
  • Rude (not in the MovieCove catalog yet)(1995)

    Producer

  • A Variation on the Key 2 Life (not in the MovieCove catalog yet)(1993)

    Producer

Career shape

A full career of 4 titles from 1993 to 2005.

By role

only this rolewith another role
Acting1 of 4: 0 only acting, 1 with another roleProducing4 of 4: 3 only producing, 1 with another role

By decade

1990s3 · 1 acting · 3 crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Karen King's films land?

Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of the 2 of 3 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 3

Approval · how many liked their films

24thpercentile
Typical film, the median of 3

Reach · how many have seen their films

39thpercentile
Typical film, the median of 3

Midcredits score across 2 titles, by percentile

  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.