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Douglas Kenney

Douglas Kenney

Writer and producer · Died August 27, 1980, aged 33 · West Palm Beach, Florida, USA

Though almost completely unknown, this man was one of the originators of a highly popular and groundbreaking new form of comedy and satire. After working on the Harvard Lampoon as an undergraduate, Douglas C. Kenney co-founded the National Lampoon magazine and the National Lampoon Radio Hour. Kenney had originally collaborated at Harvard with friend, Henry Beard, and founded the National Lampoon, where the two pooled their talents and created a radical new humor magazine. Humor that was sophomoric, rebellious, off-color, vulgar and just plain laceratingly funny. The Lampoon's humor was considered radical. Not only was the magazine an all-time best seller - particularly the infamous cover of the gun pointed at the family pet: "If you don't buy this magazine, we'll kill this dog". Kenney had broadened his comic touch all over. He and other members of the Lampoon had written books - the most popular being the "1964 High School Yearbook Parody" in 1974 (co-edited by P.J. O'Rourke). Written like a real yearbook and spoofing all the things that make them almost embarrassing and funny in their own right, Kenney and his cohorts had certainly written a little masterpiece. Another best-selling classic of his was the cult favorite "Bored of the Rings", a humorous little take on Mr. J.R.R. Tolkien's legendary best-seller. The book was a best-seller and thanks to the release of Peter Jackson's Oscar-winning live-action adaptation of the novel trilogy, the book got another printing. Kenney's legacy was living on. Another piece of his was "Mrs. Agnew's Diary", that roasted the Nixon administration. IMDb Mini Biography By: dane youssef

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Biography from TMDB.

Born
December 10, 1946
Died
August 27, 1980 (aged 33)
From
West Palm Beach, Florida, USA
Works as
Writer and producer
Titles
5 on MovieCove · 6 credits in all
TMDB popularity, last 37 days to Oct 26Down 30% in 30 days

What are Douglas Kenney's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
41%
Power
29%
Self
21%
Society
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 2 · Wry 0 · Earnest 1

Light 4 · Serious 0 · Dark 0

Grounded 0 · Stylized 3 · Heightened 1

Gentle 1 · Charged 3 · Intense 0

Steady 0 · Shifting 2 · Whiplash 2

Straight-faced 0 · Some laughs 0 · Funny 4

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
4
Joyful
3
Triumphant
2
Tense
1
Manic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Douglas Kenney's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Douglas Kenney's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 5 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Caddyshack II(1988)

    Characters

    Midcredits score: 2nd percentile of all films
  • Modern Problems(1981)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • Caddyshack(1980)

    Producer · Writer

    Midcredits score: 81st percentile of all films
  • National Lampoon's Animal House(1978)

    Writer · as Stork

    Midcredits score: 89th percentile of all films
  • Between the Lines(1977)

    as Doug Henkel

    Midcredits score: 66th percentile of all films
  • Lemmings (not in the MovieCove catalog yet)(1973)

    Writer

Career shape

A full career of 6 titles from 1973 to 1988.

Film career

By role

only this rolewith another role
Acting2 of 6: 1 only acting, 1 with another roleWriting4 of 6: 2 only writing, 2 with another roleProducing2 of 6: 1 only producing, 1 with another role

By decade

1970s3 · 2 acting · 2 crew1980s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Douglas Kenney's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 4

Approval · how many liked their films

51stpercentile
Typical film, the median of 4

Reach · how many have seen their films

91stpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • Below 25th2

Reviewers score the dialogue 54/100 and the plot and story 26/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Douglas Kenney's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 53 · moderateMedian of all films: 32
Profanity3 titlesmedian 61 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 55 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 13 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Douglas Kenney work with?

People who share at least 2 of Douglas Kenney's MovieCove titles, grouped by what they did on them; Harold Ramis shares the most, 3.

Writers

Actors

Producers