
Larry Kennar
Larry Kennar is an American producer, writer and director. He is the owrner of Larry Kennar Entertainment.
Biography from TMDB.
- Producer
- 6 on MovieCove · 9 credits in all
What are Larry Kennar's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
Light 4 · Serious 1 · Dark 0
Grounded 2 · Stylized 2 · Heightened 1
Gentle 5 · Charged 0 · Intense 0
Steady 5 · Shifting 0 · Whiplash 0
Straight-faced 0 · Some laughs 0 · Funny 5
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Larry Kennar's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Paramount+ (2).
Subscription and free streaming for Larry Kennar's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 6 with a MovieCove page.

DTLA (not in the MovieCove catalog yet)(2012)

Boys Life 7 (not in the MovieCove catalog yet)(2010)

Spring Breakdown(2009)
Midcredits score: 18th percentile of all films
D.E.B.S.(2004)
Midcredits score: 55th percentile of all films
50 First Dates(2004)
Midcredits score: 75th percentile of all films
The L Word(2004)
Midcredits score: 81st percentile of all shows
Spokane (not in the MovieCove catalog yet)(2004)

Barbershop(2002)
Midcredits score: 59th percentile of all films
Two Can Play That Game(2001)
Midcredits score: 51st percentile of all films
Career shape
A full career of 9 titles from 2001 to 2012.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Larry Kennar's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up2
- 50th to 74th3
- Below 25th1
Shape of the crowd
4 of their 6 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser4
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Larry Kennar's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Larry Kennar work with?
People who share at least 2 of Larry Kennar's MovieCove titles; Mark Brown shares the most, 2.
- Mark BrownShared titles: Barbershop (2002), Two Can Play That Game (2001)See all 2 shared titles with Mark Brown

- Anthony AndersonShared titles: Barbershop (2002), Two Can Play That Game (2001)See all 2 shared titles with Anthony Anderson


