Peter Kaufman
- Producer
- 7 on MovieCove
Known for
What are Peter Kaufman's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Power.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 0 · Serious 2 · Dark 2
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 3
Steady 0 · Shifting 3 · Whiplash 1
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 0 · Engaged 2 · Full focus 2
Easy watch 0 · Affecting 2 · Heavy 2
Resolved 1 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter Kaufman's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.
- BritBox
Subscription and free streaming for Peter Kaufman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Mad God(2021)
Midcredits score: 78th percentile of all films
Hemingway & Gellhorn(2012)
Midcredits score: 52nd percentile of all films
Twisted(2004)
Midcredits score: 15th percentile of all films
Hustle(2004)
Midcredits score: 92nd percentile of all shows
Quills(2000)
Midcredits score: 86th percentile of all films
Rising Sun(1993)
Midcredits score: 48th percentile of all films
Henry & June(1990)
Midcredits score: 54th percentile of all films
Career shape
A full career of 7 titles from 1990 to 2021.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Peter Kaufman's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 7 titles divides audiences: 4 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser4
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Peter Kaufman's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Peter Kaufman work with?
People who share at least 2 of Peter Kaufman's MovieCove titles, grouped by what they did on them; Philip Kaufman shares the most, 4.
Directors
- Philip KaufmanShared titles: Twisted (2004), Quills (2000), Rising Sun (1993), Henry & June (1990)See all 4 shared titles with Philip Kaufman
Editors
- Peter BoyleShared titles: Twisted (2004), Quills (2000)See all 2 shared titles with Peter Boyle
- William S. ScharfShared titles: Rising Sun (1993), Henry & June (1990)See all 2 shared titles with William S. Scharf
