Thomas John Kane

What are Thomas John Kane's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Thomas John Kane's films?

As of October 24, 2026, 6 of their 17 MovieCove titles stream on a subscription or free service.

• Hallmark+2 titles, browse their movies on this service
  • Grace & Glorie (1998) · producer
  • Brush with Fate (2003) · producer
• Prime Video2 titles, browse their movies on this service
  • Bernice Bobs Her Hair (1976) · second assistant director
  • The Good Son (1993) · unit production manager
• The Roku Channel2 titles, browse their movies on this service
  • The Baron and the Kid (1984) · producer · free
  • Somebody Killed Her Husband (1978) · second assistant director · free
• Tubi2 titles, browse their movies on this service
  • Bernice Bobs Her Hair (1976) · second assistant director · free
  • Somebody Killed Her Husband (1978) · second assistant director · free

Subscription and free streaming for Thomas John Kane's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 17 with a MovieCove page.

• 

  Brush with Fate(2003)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Crossfire Trail(2001)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Grace & Glorie(1998)

  Line Producer

  Midcredits score: 68th percentile of all films68^th
• 

  The Day Lincoln Was Shot(1998)

  Producer · Unit Production Manager

  Midcredits score: 72nd percentile of all films72^nd
• 

  Last Stand at Saber River(1997)

  Producer · Unit Production Manager

  Midcredits score: 75th percentile of all films75^th
• 

  Riders of the Purple Sage(1996)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  The Good Son(1993)

  Unit Production Manager

  Midcredits score: 58th percentile of all films58^th
• 

  The Witches of Eastwick(1992)

  Producer · Unit Production Manager

  Midcredits score: 42nd percentile of all films42^nd
• 

  The Ten Million Dollar Getaway(1991)

  Producer

  Midcredits score: 19th percentile of all films19^th
• 

  Fortune Dane (not in the MovieCove catalog yet)(1986)

  Producer
• 

  Copacabana(1985)

  Supervising Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  The Baron and the Kid(1984)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Only When I Laugh(1981)

  Unit Production Manager

  Midcredits score: 53rd percentile of all films53^rd
• 

  Eyewitness(1981)

  First Assistant Director

  Midcredits score: 32nd percentile of all films32^nd
• 

  Death Penalty (not in the MovieCove catalog yet)(1980)

  First Assistant Director
• 

  Kramer vs. Kramer(1979)

  First Assistant Director

  Midcredits score: 98th percentile of all films98^th
• 

  And Baby Makes Six(1979)

  First Assistant Director

  Midcredits score: 64th percentile of all films (provisional, few ratings)~64^th
• 

  Somebody Killed Her Husband(1978)

  Second Assistant Director

  Midcredits score: 15th percentile of all films15^th
• 

  Bernice Bobs Her Hair(1976)

  Second Assistant Director

  Midcredits score: 72nd percentile of all films72^nd

Career shape

A full career of 17 titles from 1976 to 2001.

Highest rated

Crossfire Trail (2001)

Midcredits 81^st

Most popular right now

Riders of the Purple Sage (1996)

How do Thomas John Kane's films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 17; across their 10 films with reception data, the typical film sits in the 55^th percentile for acclaim.

Shape of the crowd

8 of their 17 titles are Crowd Pleasers.

87

• Universally Loved1
• Crowd Pleaser8
• Broadly Agreed1
• Mixed7

Most divisive · producer

Copacabana (1985)

72^nd percentile spread · 16% rated it 4 or lower

Most loved · producer

Crossfire Trail (2001)

Midcredits 81^st · 74% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Thomas John Kane work with?

People who share at least 2 of Thomas John Kane's MovieCove titles, grouped by what they did on them; Patrick Kilpatrick shares the most, 2.