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Paul Jones

Producer

Works as
Producer
Titles
28 on MovieCove · 38 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 14% in 30 days

What are Paul Jones' films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy19 titlesTypical Midcredits score: 63rd percentile
: browse their Comedy movies
Adventure4 titlesTypical Midcredits score: 79th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
39%
Self
28%
Morality
22%
Power
6%
Society
2%
Survival
2%
Ideas
1%
Romantic love13 titles, browse their movies with this themeDeception9 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeAmbition6 titles, browse their movies with this themeFriendship4 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeDuty3 titles, browse their movies with this theme

What they feel like to watch

their average across 25 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 24 · Serious 1 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 15 · Heightened 5

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 18 · Charged 6 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 18 · Shifting 6 · Whiplash 1

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 1 · Funny 23

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 18 · Relentless 3

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 25 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 24 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
21
Absurd
15
Warm
6
Romantic
10
Thrilling
4
Other
7

How their films linger

Fun22 titles, browse their movies with this aftertasteFeel-good22 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy21
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Jones' films?

As of October 24, 2026, 3 of their 28 MovieCove titles stream on a subscription or free service, most on Pluto TV (2).

Subscription and free streaming for Paul Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

38 credits, 28 with a MovieCove page.

  • The Disorderly Orderly(1964)

    Producer

    Midcredits score: 57th percentile of all films

  • Who's Minding the Store?(1963)

    Producer

    Midcredits score: 72nd percentile of all films

  • It's Only Money(1962)

    Producer

    Midcredits score: 56th percentile of all films

  • Pardners(1956)

    Producer

    Midcredits score: 53rd percentile of all films

  • You're Never Too Young(1955)

    Producer

    Midcredits score: 65th percentile of all films

  • Living It Up(1954)

    Producer

    Midcredits score: 65th percentile of all films

  • Casanova's Big Night(1954)

    Producer

    Midcredits score: 66th percentile of all films

  • Here Come the Girls (not in the MovieCove catalog yet)(1953)

    Producer

  • The Caddy(1953)

    Producer

    Midcredits score: 58th percentile of all films

  • The Girls of Pleasure Island(1953)

    Producer

    Midcredits score: 40th percentile of all films

  • My Favorite Spy(1951)

    Producer

    Midcredits score: 62nd percentile of all films

  • A Southern Yankee(1948)

    Producer

    Midcredits score: 66th percentile of all films

  • Where There's Life(1947)

    Producer

    Midcredits score: 63rd percentile of all films

  • Dear Ruth (not in the MovieCove catalog yet)(1947)

    Producer

  • Monsieur Beaucaire (not in the MovieCove catalog yet)(1946)

    Producer

  • Road to Utopia(1945)

    Producer

    Midcredits score: 87th percentile of all films

  • The Virginian(1946)

    Producer

    Midcredits score: 59th percentile of all films

  • Hold That Blonde!(1945)

    Producer

    Midcredits score: 42nd percentile of all films

  • A Medal for Benny (not in the MovieCove catalog yet)(1945)

    Associate Producer

  • True to Life (not in the MovieCove catalog yet)(1943)

    Producer

  • Dixie(1943)

    Producer

    Midcredits score: 48th percentile of all films

  • Road to Morocco(1942)

    Associate Producer

    Midcredits score: 83rd percentile of all films

  • The Palm Beach Story(1942)

    Associate Producer

    Midcredits score: 89th percentile of all films

  • My Favorite Blonde(1942)

    Associate Producer

    Midcredits score: 79th percentile of all films

  • The Fleet's In(1942)

    Associate Producer

    Midcredits score: 70th percentile of all films

  • Sullivan's Travels(1941)

    Associate Producer

    Midcredits score: 97th percentile of all films

  • Kiss the Boys Goodbye(1941)

    Producer

    Midcredits score: 59th percentile of all films (provisional, few ratings)

  • Road to Zanzibar(1941)

    Producer

    Midcredits score: 74th percentile of all films

  • The Lady Eve(1941)

    Producer

    Midcredits score: 95th percentile of all films

  • Christmas in July(1940)

    Producer

    Midcredits score: 89th percentile of all films

  • Untamed (not in the MovieCove catalog yet)(1940)

    Producer

  • The Great McGinty(1940)

    Producer

    Midcredits score: 86th percentile of all films

  • Never Say Die (not in the MovieCove catalog yet)(1939)

    Producer

  • Give Me a Sailor (not in the MovieCove catalog yet)(1938)

    Associate Producer

  • If I Had a Million(1932)

    Assistant Director

    Midcredits score: 76th percentile of all films

  • Law of the Sea (not in the MovieCove catalog yet)(1931)

    Assistant Director · Dialogue

  • Holiday (not in the MovieCove catalog yet)(1930)

    Assistant Director

  • Bulldog Drummond(1929)

    Assistant Director

    Midcredits score: 53rd percentile of all films

Career shape

A full career of 34 titles from 1929 to 1964.

Biggest box office

The Lady Eve (1941)

$15K worldwide

Highest rated

The Lady Eve (1941)

Midcredits 95th

Most popular right now

Living It Up (1954)

By role

only this rolewith another role
Writing1 of 34: 0 only writing, 1 with another roleProducing30 of 34: 30 only producing, 0 with another role · typical Midcredits score66thOther crew4 of 34: 3 only other crew, 1 with another role

By decade

1920s1 · crew1930s5 · crew1940s17 · crew1950s8 · crew1960s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul Jones' films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 28; across their 25 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 25

Approval · how many liked their films

65thpercentile
Typical film, the median of 25

Reach · how many have seen their films

57thpercentile
Typical film, the median of 25

Midcredits score across 28 titles, by percentile

  • 75th and up9
  • 50th to 74th16
  • 25th to 49th3

Shape of the crowd

21 of their 28 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser21
  • Broadly Agreed1
  • Mixed2

Most divisive · producer

Dixie (1943)

53rd percentile spread · 15% rated it 4 or lower

Most loved · producer

Sullivan's Travels (1941)

Midcredits 97th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul Jones work with?

People who share at least 2 of Paul Jones' MovieCove titles, grouped by what they did on them; Buddy G. DeSylva shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles