Paula Jalfon
- Producer
- 13 on MovieCove · 19 credits in all
What are Paula Jalfon's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
A split, not a type: Light 7 · Serious 2 · Dark 2
Grounded 8 · Stylized 3 · Heightened 0
Gentle 4 · Charged 5 · Intense 2
Steady 8 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 7 · Some laughs 2 · Funny 2
Slow burn 8 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 7 · Full focus 1
A split, not a type: Easy watch 5 · Affecting 3 · Heavy 3
Resolved 8 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet6
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paula Jalfon's films?
As of October 24, 2026, 5 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Paula Jalfon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 13 with a MovieCove page.
Midcredits score: 69th percentile of all films
Midcredits score: 92nd percentile of all films
StreetDance 3D(2010)
Midcredits score: 48th percentile of all films
In the Loop(2009)
Midcredits score: 92nd percentile of all films
Brick Lane(2007)
Midcredits score: 57th percentile of all films
Four Last Songs(2007)
Midcredits score: 39th percentile of all films
Hotel Rwanda(2004)
Midcredits score: 98th percentile of all films
Closer(2004)
Midcredits score: 81st percentile of all films
Murder by Numbers (not in the MovieCove catalog yet)(2004)
The Spectre of Hope (not in the MovieCove catalog yet)(2002)
Baadasssss Cinema(2002)
Midcredits score: 68th percentile of all films
The Name of This Film Is Dogme95 (not in the MovieCove catalog yet)(2000)
The American Nightmare(2000)
Midcredits score: 82nd percentile of all filmsA Brief History of Errol Morris (not in the MovieCove catalog yet)(1999)
Yang ± Yin: Gender in Chinese Cinema (not in the MovieCove catalog yet)(1998)
Midcredits score: 89th percentile of all films
Midcredits score: 69th percentile of all films
Midcredits score: 88th percentile of all films
Cinema of Unease: A Personal Journey by Sam Neill (not in the MovieCove catalog yet)(1995)
Career shape
A full career of 16 titles from 1995 to 2012.
Biggest box office
Closer (2004)
Highest rated
We Need to Talk About Kevin (2011)
Most popular right now
Closer (2004)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paula Jalfon's films land?
Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up7
- 50th to 74th4
- 25th to 49th2
Shape of the crowd
10 of their 13 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser10
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Paula Jalfon's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Paula Jalfon work with?
People who share at least 2 of Paula Jalfon's MovieCove titles, grouped by what they did on them; Colin MacCabe shares the most, 5.
Directors
- Adam SimonShared titles: The American Nightmare (2000), The Typewriter, the Rifle & the Movie Camera (1996)See all 2 shared titles with Adam Simon
Cinematographers
- Caroline ChampetierShared titles: Howard Hawks: American Artist (1997), The Typewriter, the Rifle & the Movie Camera (1996)See all 2 shared titles with Caroline Champetier
Producers
- Colin MacCabeShared titles: Baadasssss Cinema (2002), The American Nightmare (2000), Lee Marvin: A Personal Portrait by John Boorman (1998), Howard Hawks: American Artist (1997), The Typewriter, the Rifle & the Movie Camera (1996)See all 5 shared titles with Colin MacCabe
- Duncan ReidShared titles: Brick Lane (2007), Four Last Songs (2007), Closer (2004)See all 3 shared titles with Duncan Reid
- Christine LanganShared titles: We Need to Talk About Kevin (2011), In the Loop (2009)See all 2 shared titles with Christine Langan
- David M. ThompsonShared titles: In the Loop (2009), Four Last Songs (2007)See all 2 shared titles with David M. Thompson
