Ashley Irwin
- Composer
- 10 on MovieCove · 28 credits in all
What are Ashley Irwin's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 5
Light 0 · Serious 4 · Dark 3
A split, not a type: Grounded 4 · Stylized 2 · Heightened 1
A split, not a type: Gentle 0 · Charged 3 · Intense 4
Steady 3 · Shifting 3 · Whiplash 1
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 5 · Full focus 1
Easy watch 1 · Affecting 4 · Heavy 2
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ashley Irwin's films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Ashley Irwin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Blackmail (not in the MovieCove catalog yet)(2017)
The Pardon(2013)
Midcredits score: 27th percentile of all films
Hereafter(2010)
Midcredits score: 54th percentile of all films
Role Model: Gene Wilder (not in the MovieCove catalog yet)(2008)
We Were Soldiers(2002)
Midcredits score: 86th percentile of all films
Midcredits score: 23rd percentile of all films
Midcredits score: 51st percentile of all films
Animal Instincts 3 (not in the MovieCove catalog yet)(1996)
The Expert(1995)
Midcredits score: 16th percentile of all films
Undercover (not in the MovieCove catalog yet)(1995)
Object of Obsession(1994)
Midcredits score: 12th percentile of all films
Stranger by Night (not in the MovieCove catalog yet)(1994)
Secret Games 3 (not in the MovieCove catalog yet)(1994)
Animal Instincts 2 (not in the MovieCove catalog yet)(1994)
The Pamela Principle 2(1994)
Midcredits score: 8th percentile of all films
Sexual Outlaws (not in the MovieCove catalog yet)(1994)
Body of Influence (not in the MovieCove catalog yet)(1994)
The Other Man (not in the MovieCove catalog yet)(1994)
Sins of the Night (not in the MovieCove catalog yet)(1993)
Mirror Images II (not in the MovieCove catalog yet)(1993)
Secret Games 2: The Escort (not in the MovieCove catalog yet)(1993)
Deadly Rivals (not in the MovieCove catalog yet)(1993)
Night Rhythms (not in the MovieCove catalog yet)(1992)
Mirror Images (not in the MovieCove catalog yet)(1992)
E Street (not in the MovieCove catalog yet)(1989)
Fair Game(1986)
Midcredits score: 37th percentile of all films
The Coolangatta Gold (not in the MovieCove catalog yet)(1984)
Midcredits score: 89th percentile of all films
Career shape
A full career of 28 titles from 1927 to 2017.
Biggest box office
The Lodger: A Story of the London Fog (1927)
Highest rated
The Lodger: A Story of the London Fog (1927)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ashley Irwin's films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 10; across their 7 films with reception data, the typical film sits in the 25th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
- Below 25th4
Shape of the crowd
5 of their 10 titles are Mixed.
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed5
Reviewers score the sound and music 53/100 in their films, across 4 reviewed titles; fans 57, detractors 38. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ashley Irwin's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Ashley Irwin work with?
People who share at least 2 of Ashley Irwin's MovieCove titles, grouped by what they did on them; Andrew W. Garroni shares the most, 3.
Editors
- Bob MurawskiShared titles: The Expert (1995), Object of Obsession (1994)See all 2 shared titles with Bob Murawski
Producers
- Andrew W. GarroniShared titles: Naked City: Justice with a Bullet (1998), The Expert (1995), Object of Obsession (1994)See all 3 shared titles with Andrew W. Garroni
- Walter GernertShared titles: Naked City: Justice with a Bullet (1998), The Expert (1995), Object of Obsession (1994)See all 3 shared titles with Walter Gernert
- Craig Thurman SuttleShared titles: The Expert (1995), Object of Obsession (1994)See all 2 shared titles with Craig Thurman Suttle