Roberto Infascelli was an Italian film producer, director, and screenwriter, recognized for his contributions to the poliziottesco genre in the 1970s. Born into a cinematic family, he was the son of producer Carlo Infascelli and brother to Paolo and Fiorella Infascelli. His son, Alex Infascelli, continued the family's cinematic legacy as a director. Infascelli began his career in the film industry as a production manager and assistant director. He made his directorial debut under the pseudonym Bob Raymond with Luana la figlia della foresta vergine (1968). He gained prominence as a producer with films like La polizia ringrazia (1972), which is considered a seminal work in the poliziottesco genre. He continued to explore crime and thriller themes with La polizia sta a guardare (1973), which he also directed, and La polizia chiede aiuto (1974). Infascelli's career was cut short when he died in a car accident in France on August 18, 1977, at the age of 38, while conducting research for a new film project.
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Biography from TMDB.
- December 11, 1938
- August 18, 1977 (aged 38)
- Rome, Lazio, Italy
- Producer and writer
- 11 on MovieCove · 16 credits in all
What are Roberto Infascelli's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 5
Light 3 · Serious 3 · Dark 3
Grounded 3 · Stylized 4 · Heightened 2
Gentle 0 · Charged 5 · Intense 4
Steady 2 · Shifting 7 · Whiplash 0
Straight-faced 5 · Some laughs 3 · Funny 1
Slow burn 2 · Even-paced 7 · Relentless 0
Casual 1 · Engaged 5 · Full focus 3
A split, not a type: Easy watch 5 · Affecting 2 · Heavy 2
A split, not a type: Resolved 4 · Open-ended 2 · Ambiguous 3
Moods and endings
- Happy1
- Bittersweet4
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roberto Infascelli's films?
As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Roberto Infascelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 11 with a MovieCove page.
Double Murder(1977)
Midcredits score: 20th percentile of all films
Midcredits score: 14th percentile of all films
Horse Fever (not in the MovieCove catalog yet)(1976)
The Sunday Woman(1975)
Midcredits score: 68th percentile of all films
Midcredits score: 45th percentile of all films
Puzzle(1974)
Midcredits score: 50th percentile of all films
The Great Kidnapping (not in the MovieCove catalog yet)(1973)
Execution Squad(1972)
Midcredits score: 77th percentile of all films
Blindman(1971)
Midcredits score: 51st percentile of all films
The War Devils(1969)
Midcredits score: 13th percentile of all films
The Silent Stranger (not in the MovieCove catalog yet)(1968)
Luana (not in the MovieCove catalog yet)(1968)
The Stranger Returns(1967)
Midcredits score: 50th percentile of all films
A Stranger in Town(1967)
Midcredits score: 39th percentile of all films
The Camp Followers(1965)
Midcredits score: 88th percentile of all films
Non sono più guaglione (not in the MovieCove catalog yet)(1957)
Career shape
A full career of 15 titles from 1957 to 1977.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roberto Infascelli's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 11; across their 9 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th2
- Below 25th3
Shape of the crowd
None of their 11 titles divides audiences: 5 are Crowd Pleasers.
- Crowd Pleaser5
- Broadly Agreed3
- Mixed3
Reviewers score the dialogue 49/100 and the plot and story 48/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roberto Infascelli work with?
People who share at least 2 of Roberto Infascelli's MovieCove titles, grouped by what they did on them; Raf Baldassarre shares the most, 4.
Directors
- StenoShared titles: Double Murder (1977), Execution Squad (1972)See all 2 shared titles with Steno
- Luigi VanziShared titles: A Stranger in Town (1967), The Stranger Returns (1967)See all 2 shared titles with Luigi Vanzi
Writers
- Tony AnthonyShared titles: Blindman (1971), A Stranger in Town (1967), The Stranger Returns (1967)See all 3 shared titles with Tony Anthony
- Agenore IncrocciShared titles: Double Murder (1977), The Sunday Woman (1975)See all 2 shared titles with Agenore Incrocci
- Furio ScarpelliShared titles: Double Murder (1977), The Sunday Woman (1975)See all 2 shared titles with Furio Scarpelli
- Giuseppe MangioneShared titles: A Stranger in Town (1967), The Stranger Returns (1967)See all 2 shared titles with Giuseppe Mangione
Actors
- Raf BaldassarreShared titles: Blindman (1971), The War Devils (1969), A Stranger in Town (1967), The Stranger Returns (1967)See all 4 shared titles with Raf Baldassarre
- Marcello MastroianniShared titles: Double Murder (1977), The Sunday Woman (1975)See all 2 shared titles with Marcello Mastroianni
- Enrico Maria SalernoShared titles: Last Stop on the Night Train (1975), Execution Squad (1972)See all 2 shared titles with Enrico Maria Salerno
- Franco FabriziShared titles: Last Stop on the Night Train (1975), Execution Squad (1972)See all 2 shared titles with Franco Fabrizi
Composers, cinematographers and editors
- Stelvio CiprianiShared titles: Execution Squad (1972), Blindman (1971), The War Devils (1969), The Stranger Returns (1967)See all 4 shared titles with Stelvio Cipriani
- Antonio SicilianoShared titles: Double Murder (1977), The Sunday Woman (1975)See all 2 shared titles with Antonio Siciliano
- Ennio MorriconeShared titles: Last Stop on the Night Train (1975), The Sunday Woman (1975)See all 2 shared titles with Ennio Morricone
- Riccardo PallottiniShared titles: Execution Squad (1972), Blindman (1971)See all 2 shared titles with Riccardo Pallottini
Producers
- Allen KleinShared titles: Blindman (1971), A Stranger in Town (1967), The Stranger Returns (1967)See all 3 shared titles with Allen Klein
- Massimo GualdiShared titles: The War Devils (1969), A Stranger in Town (1967), The Stranger Returns (1967)See all 3 shared titles with Massimo Gualdi
- James HagerShared titles: A Stranger in Town (1967), The Stranger Returns (1967)See all 2 shared titles with James Hager