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Raymond Hakim

Producer · Died August 14, 1980, aged 70 · Alexandria, Egypt

Born
August 23, 1909
Died
August 14, 1980 (aged 70)
From
Alexandria, Egypt
Works as
Producer
Titles
17 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 32% in 30 days

What are Raymond Hakim's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Drama9 titlesTypical Midcredits score: 56th percentile
: browse their Drama movies
Crime5 titlesTypical Midcredits score: 94th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
35%
Morality
18%
Bonds
14%
Power
14%
Survival
10%
Society
7%
Ideas
2%
Identity7 titles, browse their movies with this themeObsession5 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeDeception6 titles, browse their movies with this themeClass3 titles, browse their movies with this themeGuilt2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 2 · Dark 12

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 8 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 7 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 11 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 13 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 6 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 12 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 5 · Heavy 8

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 6 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
13
Romantic
5
Cold
4
Contemplative
3
Other
8

How their films linger

Haunting8 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet2
  • Tragic7
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Raymond Hakim's films?

As of October 24, 2026, 13 of their 17 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (9).

Also on these channels

Subscription and free streaming for Raymond Hakim's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 17 with a MovieCove page.

  • The Last Tycoons (not in the MovieCove catalog yet)(2019)

    Show 8 episodes · Actor

  • The Margin(1976)

    Producer

    Midcredits score: 28th percentile of all films

  • The Beguines(1972)

    Producer

    Midcredits score: 34th percentile of all films

  • Isadora(1968)

    Producer

    Midcredits score: 73rd percentile of all films

  • Belle de Jour(1967)

    Producer

    Midcredits score: 94th percentile of all films

  • Weekend at Dunkirk(1964)

    Producer

    Midcredits score: 80th percentile of all films

  • Circle of Love(1964)

    Producer

    Midcredits score: 33rd percentile of all films

  • Highway Pick-Up (not in the MovieCove catalog yet)(1963)

    Producer

  • Eva(1962)

    Presenter · Producer

    Midcredits score: 56th percentile of all films

  • L'Eclisse(1962)

    Presenter · Producer

    Midcredits score: 93rd percentile of all films

  • Wise Guys (not in the MovieCove catalog yet)(1961)

    Producer

  • Les Bonnes Femmes (not in the MovieCove catalog yet)(1960)

    Producer

  • Purple Noon(1960)

    Producer

    Midcredits score: 97th percentile of all films

  • Web of Passion(1959)

    Producer

    Midcredits score: 63rd percentile of all films

  • Lovers of Paris (not in the MovieCove catalog yet)(1957)

    Producer

  • The Hunchback of Notre Dame(1956)

    Producer

    Midcredits score: 68th percentile of all films

  • Mademoiselle Nitouche (not in the MovieCove catalog yet)(1954)

    Producer

  • Thérèse Raquin (not in the MovieCove catalog yet)(1953)

    Producer

  • Casque d'Or(1952)

    Producer

    Midcredits score: 94th percentile of all films

  • The Blue Veil (not in the MovieCove catalog yet)(1951)

    Associate Producer

  • Without Honor(1949)

    Producer

    Midcredits score: 40th percentile of all films

  • The Long Night(1947)

    Producer

    Midcredits score: 58th percentile of all films

  • Heartbeat(1946)

    Producer

    Midcredits score: 36th percentile of all films

  • The Human Beast(1938)

    Producer

    Midcredits score: 92nd percentile of all films

  • Marthe Richard (not in the MovieCove catalog yet)(1937)

    Producer

  • Pépé le Moko(1937)

    Producer

    Midcredits score: 94th percentile of all films

Career shape

A full career of 24 titles from 1937 to 2019.

Biggest box office

Belle de Jour (1967)

$4.2M worldwide

Highest rated

Purple Noon (1960)

Midcredits 97th

Most popular right now

L'Eclisse (1962)

By role

only this rolewith another role
Acting1 of 24: 1 only acting, 0 with another roleProducing23 of 24: 21 only producing, 2 with another role · typical Midcredits score68thOther crew2 of 24: 0 only other crew, 2 with another role

By decade

1930s3 · crew1940s3 · crew1950s6 · crew1960s10 · crew1970s1 · crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Raymond Hakim's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 17; across their 16 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 16

Approval · how many liked their films

71stpercentile
Typical film, the median of 16

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up7
  • 50th to 74th5
  • 25th to 49th5

Shape of the crowd

7 of their 17 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser7
  • Broadly Agreed1
  • Mixed4

Most divisive · producer

The Beguines (1972)

69th percentile spread · 26% rated it 4 or lower

Most loved · producer

Purple Noon (1960)

Midcredits 97th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Raymond Hakim's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 40 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 35 · mildMedian of all films: 32
Alcohol & Drugs3 titlesmedian 30 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Raymond Hakim work with?

People who share at least 2 of Raymond Hakim's MovieCove titles, grouped by what they did on them; Robert Hakim shares the most, 16.

Writers

Actors

Composers, cinematographers and editors

Producers