
Rob Hahn
Cinematographer · Born April 24, 1952 (74)
Rob Hahn (born April 24, 1952) is a retired film director of photography. His worked as a camera operator for cinematographers Conrad Hall and Owen Roizman. Later he served as director of photography for director Frank Oz on The Stepford Wives, The Score, and In & Out.
Biography from TMDB.
- April 24, 1952 (74)
- Cinematographer
- 19 on MovieCove · 21 credits in all
What are Rob Hahn's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
Light 4 · Serious 1 · Dark 0
A split, not a type: Grounded 3 · Stylized 1 · Heightened 1
A split, not a type: Gentle 3 · Charged 1 · Intense 1
A split, not a type: Steady 3 · Shifting 1 · Whiplash 1
Straight-faced 1 · Some laughs 2 · Funny 2
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Rob Hahn's films?
As of October 24, 2026, 13 of their 19 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Rob Hahn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 19 with a MovieCove page.

The Stepford Wives(2004)
Midcredits score: 24th percentile of all films
The Score(2001)
Midcredits score: 76th percentile of all films
Loser(2000)
Midcredits score: 20th percentile of all films
In & Out(1997)
Midcredits score: 63rd percentile of all films
Marvin's Room(1996)
Midcredits score: 71st percentile of all films
The First Wives Club(1996)
Midcredits score: 69th percentile of all films
French Kiss(1995)
Midcredits score: 66th percentile of all films
Life with Mikey(1993)
Midcredits score: 28th percentile of all films
The Addams Family(1991)
Midcredits score: 83rd percentile of all films
Havana(1990)
Midcredits score: 44th percentile of all films
Troop Beverly Hills(1989)
Midcredits score: 49th percentile of all films
Midnight Run(1988)
Midcredits score: 95th percentile of all films
The Golden Child(1986)
Midcredits score: 40th percentile of all films
American Anthem(1986)
Midcredits score: 25th percentile of all films
Against All Odds(1984)
Midcredits score: 37th percentile of all films
Bad Boys(1983)
Midcredits score: 86th percentile of all films
Taps(1981)
Midcredits score: 73rd percentile of all films
Absence of Malice(1981)
Midcredits score: 77th percentile of all films
Getting It Over With (not in the MovieCove catalog yet)(1978)
Midcredits score: 87th percentile of all films
Minestrone (not in the MovieCove catalog yet)(1975)
Career shape
A full career of 21 titles from 1975 to 2004.

Biggest box office
The Score (2001)

Highest rated
The Score (2001)

Most popular right now
The Stepford Wives (2004)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Rob Hahn's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 19; across their 5 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th6
- Below 25th2
Shape of the crowd
10 of their 19 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser10
- Broadly Agreed4
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Rob Hahn's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Rob Hahn work with?
People who share at least 2 of Rob Hahn's MovieCove titles, grouped by what they did on them; Frank Oz shares the most, 3.
Directors
- Frank OzShared titles: The Stepford Wives (2004), The Score (2001), In & Out (1997)See all 3 shared titles with Frank Oz

Writers
- Paul RudnickShared titles: The Stepford Wives (2004), In & Out (1997)See all 2 shared titles with Paul Rudnick

Producers
- Scott RudinShared titles: The Stepford Wives (2004), In & Out (1997), Life with Mikey (1993)See all 3 shared titles with Scott Rudin





