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Charles S. Haas

Writer

Works as
Writer
Titles
4 on MovieCove · 8 credits in all
TMDB popularity, last 37 days to Oct 26Down 31% in 30 days

What are Charles S. Haas' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
31%
Self
30%
Power
17%
Survival
16%
Society
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 2 · Whiplash 2

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2

A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 1

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Melancholic
2
Thrilling
2
Absurd
1
Warm
1
Other
4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles S. Haas' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Charles S. Haas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 4 with a MovieCove page.

  • Runaway Daughters (not in the MovieCove catalog yet)(1994)

    Story · Teleplay

  • Rebel Highway (not in the MovieCove catalog yet)(1994)

    Show 1 episode · Story · Writer

  • Matinee(1993)

    Screenplay · Story · as Mr. Elroy

    Midcredits score: 77th percentile of all films
  • Gremlins 2: The New Batch(1990)

    Writer · as Casper

    Midcredits score: 63rd percentile of all films
  • Martians Go Home (not in the MovieCove catalog yet)(1989)

    Screenplay

  • Reckless Disregard (not in the MovieCove catalog yet)(1985)

    Writer

  • Tex(1982)

    Screenplay · as Lee

    Midcredits score: 64th percentile of all films
  • Over the Edge(1979)

    Writer

    Midcredits score: 90th percentile of all films

Career shape

A full career of 8 titles from 1979 to 1994.

Film career

By role

only this rolewith another role
Acting3 of 8: 0 only acting, 3 with another roleWriting8 of 8: 5 only writing, 3 with another role

8 titles, 3 with more than one role — writing and acting overlap on 3 of them.

By decade

1970s1 · crew1980s3 · 1 acting · 3 crew1990s4 · 2 acting · 4 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Charles S. Haas' films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75th percentile for acclaim.

Acclaim · how much people like their films

75thpercentile
Typical film, the median of 4

Approval · how many liked their films

66thpercentile
Typical film, the median of 4

Reach · how many have seen their films

87thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3

Reviewers score the dialogue 66/100 and the plot and story 47/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles S. Haas work with?

People who share at least 2 of Charles S. Haas' MovieCove titles, grouped by what they did on them; Joe Dante shares the most, 2.

Directors

Writers

Actors

Composers and cinematographers

Producers