- Writer and director
- 3 on MovieCove · 4 credits in all
What are Adam Grossman's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 1 · Dark 2
A split, not a type: Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Adam Grossman's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Adam Grossman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 3 with a MovieCove page.
Midcredits score: 1st percentile of all films
First Wave (not in the MovieCove catalog yet)(1998)

Carnival of Souls(1998)
Midcredits score: 1st percentile of all films
Midcredits score: 6th percentile of all films
Career shape
A full career of 4 titles from 1996 to 1998.
How do Adam Grossman's films land?
Their typical MovieCove film has a Midcredits score in the 1st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 3rd percentile for acclaim.
- Below 25th3
Shape of the crowd
2 of their 3 titles are Universally Panned.
- Universally Panned2
- Mixed1
Reviewers score the dialogue 33/100 and the plot and story 27/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Adam Grossman work with?
People who share at least 2 of Adam Grossman's MovieCove titles, grouped by what they did on them; Mark Amin shares the most, 3.
Writers
- Stephen KingShared titles: Sometimes They Come Back... for More (1998), Sometimes They Come Back... Again (1996)See all 2 shared titles with Stephen King

Cinematographers
- Christopher BaffaShared titles: Carnival of Souls (1998), Sometimes They Come Back... Again (1996)See all 2 shared titles with Christopher Baffa
Producers
- Mark AminShared titles: Carnival of Souls (1998), Sometimes They Come Back... for More (1998), Sometimes They Come Back... Again (1996)See all 3 shared titles with Mark Amin

- Michael L. MeltzerShared titles: Carnival of Souls (1998), Sometimes They Come Back... for More (1998), Sometimes They Come Back... Again (1996)See all 3 shared titles with Michael L. Meltzer
- Phillip B. GoldfineShared titles: Carnival of Souls (1998), Sometimes They Come Back... for More (1998), Sometimes They Come Back... Again (1996)See all 3 shared titles with Phillip B. Goldfine
