- Writer and producer
- 4 on MovieCove
What are Lewis A. Green's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 1 · Serious 3 · Dark 0
Grounded 4 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 0 · Shifting 4 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lewis A. Green's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Lewis A. Green's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.

Dillinger and Capone(1995)
Midcredits score: 18th percentile of all films
Never Talk to Strangers(1995)
Midcredits score: 19th percentile of all films
The Spy Within(1995)
Midcredits score: 7th percentile of all films
Caught in the Act(1993)
Midcredits score: 29th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1993 to 1995.
How do Lewis A. Green's films land?
Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 25th to 49th1
- Below 25th3
Shape of the crowd
4 of their 4 titles are Mixed.
- Mixed4
Reviewers score the dialogue 28/100 and the plot and story 27/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lewis A. Green work with?
People who share at least 2 of Lewis A. Green's MovieCove titles, grouped by what they did on them; David Wurst shares the most, 2.
Composers
- David WurstShared titles: Dillinger and Capone (1995), The Spy Within (1995)See all 2 shared titles with David Wurst

- Eric WurstShared titles: Dillinger and Capone (1995), The Spy Within (1995)See all 2 shared titles with Eric Wurst

Producers
- Chris NaumannShared titles: Dillinger and Capone (1995), The Spy Within (1995)See all 2 shared titles with Chris Naumann
- Chris PeschkenShared titles: Dillinger and Capone (1995), The Spy Within (1995)See all 2 shared titles with Chris Peschken
- Mike ElliottShared titles: Dillinger and Capone (1995), The Spy Within (1995)See all 2 shared titles with Mike Elliott

- Roger CormanShared titles: Dillinger and Capone (1995), The Spy Within (1995)See all 2 shared titles with Roger Corman
