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Domingo González

Domingo González

Editor, writer, director and producer · Cáceres, Extremadura, Spain

Domingo González was born in 1965 in Cáceres, Extremadura, Spain. He is an editor, known for My Fault (2023), The Bar (2017) and Your Fault (2024).

Biography from IMDb.

From
Cáceres, Extremadura, Spain
Works as
Editor, writer, director and producer
Titles
15 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 39% in 30 days

What are Domingo González's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

Drama5 titlesTypical Midcredits score: 58th percentile
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 45th percentile
: browse their Comedy movies
Documentary2 titlesTypical Midcredits score: 88th percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
50%
Society
19%
Self
11%
Morality
6%
Survival
5%
Power
5%
Ideas
5%
Romantic love6 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeTradition vs change2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 6 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 5 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 3 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 7 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 7 · Engaged 3 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Romantic
5
Bittersweet
4
Contemplative
3
Dread
3
Other
13

How their films linger

Hopeful5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Domingo González's films?

As of October 24, 2026, 11 of their 15 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Also on these channels

Subscription and free streaming for Domingo González's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 15 with a MovieCove page.

  • Your Fault: London(2026)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • Culpa Nuestra(2025)

    Director · Editor · Screenplay

    Midcredits score: 33rd percentile of all films

  • My Fault: London(2025)

    Executive Producer · Original Film Writer

    Midcredits score: 68th percentile of all films

  • Your Fault(2024)

    Director · Editor · Screenplay

    Midcredits score: 38th percentile of all films

  • My Fault(2023)

    Director · Editor · Screenplay

    Midcredits score: 60th percentile of all films

  • Four's a Crowd(2022)

    Editor

    Midcredits score: 43rd percentile of all films

  • Venicephrenia(2021)

    Editor

    Midcredits score: 16th percentile of all films

  • 4L(2019)

    Editor

    Midcredits score: 38th percentile of all films

  • ¿Qué coño está pasando?(2019)

    Editor

    Midcredits score: 88th percentile of all films

  • Perfect Strangers(2017)

    Editor

    Midcredits score: 72nd percentile of all films

  • The Bar(2017)

    Editor

    Midcredits score: 54th percentile of all films

  • My Big Night(2015)

    Editor

    Midcredits score: 45th percentile of all films

  • Messi(2014)

    Editor

    Midcredits score: 87th percentile of all films

  • The Baby's Room(2006)

    Script Supervisor

    Midcredits score: 72nd percentile of all films

  • The Super Friends versus Professor Vinyl (not in the MovieCove catalog yet)(2003)

    Director · Editor · Writer

  • Torrente: The Dumb Arm of the Law(1998)

    Location Manager

    Midcredits score: 72nd percentile of all films

Career shape

A full career of 15 titles from 1998 to 2026.

Biggest box office

Perfect Strangers (2017)

$33M worldwide

Highest rated

Messi (2014)

Midcredits 87th

Most popular right now

Your Fault (2024)

By role

only this rolewith another role
Directing4 of 15: 0 only directing, 4 with another roleWriting5 of 15: 0 only writing, 5 with another roleProducing2 of 15: 1 only producing, 1 with another roleEditing11 of 15: 7 only editing, 4 with another role · typical Midcredits score44thOther crew2 of 15: 2 only other crew, 0 with another role

15 titles, 5 with more than one role — editing and writing overlap on 4 of them.

By decade

1990s1 · crew2000s2 · crew2010s5 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Domingo González's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 12

Approval · how many liked their films

53rdpercentile
Typical film, the median of 12

Reach · how many have seen their films

86thpercentile
Typical film, the median of 12

Midcredits score across 15 titles, by percentile

  • 75th and up2
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

5 of their 15 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed5
  • Mixed4

Most divisive · director, writer, editor

Your Fault (2024)

78th percentile spread · 22% rated it 4 or lower

Most loved · editor

¿Qué coño está pasando? (2019)

Midcredits 88th · 76% liked

Reviewers score the pacing 49/100 in their films, across 11 reviewed titles; fans 62, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Domingo González's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles36–55 · median 46 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles37–64 · median 56 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles38–59 · median 53 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles35–55 · median 49 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense5 titles39–49 · median 44 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Domingo González work with?

People who share at least 2 of Domingo González's MovieCove titles, grouped by what they did on them; Álex de la Iglesia shares the most, 9.

Directors

Writers

Actors

Composers and cinematographers

Producers