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George Glass

Producer · Died April 1, 1984, aged 73 · Los Angeles, California, USA

George Glass (August 19, 1910 – April 1, 1984) was an American film producer and publicist, best known for his work with Stanley Kramer. Description above from the Wikipedia article George Glass, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Biography from TMDB.

Born
August 19, 1910
Died
April 1, 1984 (aged 73)
From
Los Angeles, California, USA
Works as
Producer
Titles
13 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 22% in 30 days

What are George Glass' films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama7 titlesTypical Midcredits score: 83rd percentile
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 87th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
29%
Bonds
22%
Self
20%
Society
12%
Power
11%
Survival
6%
Identity4 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeFreedom3 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 2 · Serious 2 · Dark 9

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 8 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 7 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 9 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
9
Romantic
3
Contemplative
3
Hopeful
3
Other
8

How their films linger

Bittersweet7 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet8
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George Glass' films?

As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for George Glass' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

  • Bless the Beasts & Children(1971)

    Associate Producer

    Midcredits score: 72nd percentile of all films

  • R.P.M.(1970)

    Associate Producer

    Midcredits score: 30th percentile of all films

  • The Secret of Santa Vittoria(1969)

    Associate Producer

    Midcredits score: 87th percentile of all films

  • Guess Who's Coming to Dinner(1967)

    Associate Producer

    Midcredits score: 96th percentile of all films

  • Paris Blues(1961)

    Executive Producer

    Midcredits score: 73rd percentile of all films

  • The Naked Edge(1961)

    Producer

    Midcredits score: 67th percentile of all films

  • One-Eyed Jacks(1961)

    Executive Producer

    Midcredits score: 85th percentile of all films

  • Napoléon II, l'aiglon(1961)

    Producer

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • Shake Hands with the Devil(1959)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • High Noon(1952)

    Associate Producer

    Midcredits score: 97th percentile of all films

  • Death of a Salesman(1951)

    Associate Producer

    Midcredits score: 83rd percentile of all films

  • Cyrano de Bergerac(1950)

    Associate Producer

    Midcredits score: 88th percentile of all films

  • The Men(1950)

    Associate Producer

    Midcredits score: 83rd percentile of all films

Career shape

A full career of 12 titles from 1950 to 1971.

Biggest box office

Guess Who's Coming to Dinner (1967)

$57M worldwide

Highest rated

High Noon (1952)

Midcredits 97th

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role · typical Midcredits score83rd

By decade

1950s5 · crew1960s4 · crew1970s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do George Glass' films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 13

Approval · how many liked their films

84thpercentile
Typical film, the median of 13

Reach · how many have seen their films

74thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up8
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

8 of their 13 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser8
  • Mixed2

Most divisive · producer

R.P.M. (1970)

66th percentile spread · 29% rated it 4 or lower

Most loved · producer

High Noon (1952)

Midcredits 97th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is George Glass' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 8 · minimalMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does George Glass work with?

People who share at least 2 of George Glass' MovieCove titles, grouped by what they did on them; Stanley Kramer shares the most, 8.

Directors

Writers

Actors

Composers and editors

Producers