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What are Teresa Gefaell's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 5 · Dark 11

Grounded 7 · Stylized 7 · Heightened 5

Gentle 1 · Charged 5 · Intense 13

Steady 6 · Shifting 11 · Whiplash 2

Straight-faced 15 · Some laughs 4 · Funny 0

Slow burn 5 · Even-paced 13 · Relentless 1

Casual 4 · Engaged 11 · Full focus 4

A split, not a type: Resolved 10 · Open-ended 4 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
17
Dread
12
Melancholic
8
Contemplative
2
Bittersweet
3
Other
8

How their films end · 6 with a twist

  • Happy1
  • Bittersweet10
  • Tragic3
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Teresa Gefaell's films?

As of October 24, 2026, 14 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Teresa Gefaell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 20 with a MovieCove page.

  • You Shall Not Lie(2022)

    Show Producer

    Midcredits score: 8th percentile of all shows
  • Midcredits score: 70th percentile of all films
  • More the Merrier(2021)

    Producer

    Midcredits score: 29th percentile of all films
  • Cross the Line(2020)

    Producer

    Midcredits score: 52nd percentile of all films
  • The Returned(2013)

    Producer

    Midcredits score: 37th percentile of all films
  • The Way(2010)

    Producer

    Midcredits score: 89th percentile of all films
  • Transsiberian(2008)

    Producer

    Midcredits score: 66th percentile of all films
  • Violanchelo(2008)

    Producer

    Midcredits score: 49th percentile of all films
  • Sultanes del Sur(2007)

    Producer

    Midcredits score: 52nd percentile of all films
  • Midcredits score: 91st percentile of all films
  • The Abandoned(2006)

    Producer

    Midcredits score: 27th percentile of all films
  • The Backwoods(2006)

    Producer

    Midcredits score: 28th percentile of all films
  • The Kovak Box(2006)

    Producer

    Midcredits score: 35th percentile of all films
  • Beneath Still Waters(2005)

    Producer

    Midcredits score: 3rd percentile of all films
  • Fragile(2005)

    Producer

    Midcredits score: 46th percentile of all films
  • The Nun(2005)

    Producer

    Midcredits score: 5th percentile of all films
  • Romasanta(2004)

    Producer

    Midcredits score: 18th percentile of all films
  • The Machinist(2004)

    Producer

    Midcredits score: 95th percentile of all films
  • Beyond Re-Animator(2003)

    Producer

    Midcredits score: 31st percentile of all films
  • Darkness(2002)

    Producer

    Midcredits score: 21st percentile of all films

Career shape

Across their 20 MovieCove titles from 2002 to 2022.

By role

only this rolewith another role
Producing20 of 20: 20 only producing, 0 with another role · typical Midcredits score36th

By decade

2000s14 · crew2010s2 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Teresa Gefaell's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 19; across their 19 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 19

Approval · how many liked their films

35thpercentile
Typical film, the median of 19

Reach · how many have seen their films

85thpercentile
Typical film, the median of 19

Midcredits score across 20 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th8
  • Below 25th5

Shape of the crowd

9 of their 20 titles are Mixed.

  • Universally Loved3
  • Universally Panned2
  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed9

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Teresa Gefaell's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles12–88 · median 73 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity11 titles15–70 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles12–69 · median 60 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs7 titles26–56 · median 41 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles17–85 · median 71 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Teresa Gefaell work with?

People who share at least 2 of Teresa Gefaell's MovieCove titles, grouped by what they did on them; Carlos Fernández shares the most, 18.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles