John Foreman

What are John Foreman's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Foreman's films?

As of October 24, 2026, 4 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • The Man Who Would Be King (1975) · producer · free
  • The Great Train Robbery (1978) · producer · free
  • Mannequin: On the Move (1991) · producer · free
• Pluto TV2 titles, browse their movies on this service
  • The Great Train Robbery (1978) · producer · free
  • Mannequin: On the Move (1991) · producer · free
• MGM+1 title, browse their movies on this service
  • Mannequin: On the Move (1991) · producer
• The Roku Channel1 title, browse their movies on this service
  • The Great Train Robbery (1978) · producer · free

Subscription and free streaming for John Foreman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 19 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Up Close & Personal(1996)

  Executive Producer

  Midcredits score: 51st percentile of all films51^st
• 

  Mannequin: On the Move(1991)

  Producer

  Midcredits score: 15th percentile of all films15^th
• 

  Millennium(1989)

  Executive Producer

  Midcredits score: 31st percentile of all films31^st
• 

  Prizzi's Honor(1985)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  The Ice Pirates(1984)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Brainstorm(1983)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  The Great Train Robbery(1978)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Bobby Deerfield(1977)

  Executive Producer

  Midcredits score: 39th percentile of all films39^th
• 

  The Man Who Would Be King(1975)

  Producer

  Midcredits score: 96th percentile of all films96^th
• 

  The MacKintosh Man(1973)

  Producer

  Midcredits score: 51st percentile of all films51^st
• 

  The Effect of Gamma Rays on Man-in-the-Moon Marigolds(1972)

  Executive Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  The Life and Times of Judge Roy Bean(1972)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  Pocket Money(1972)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  Sometimes a Great Notion(1971)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  They Might Be Giants(1971)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Puzzle of a Downfall Child(1970)

  Producer

  Midcredits score: 64th percentile of all films64^th
• 

  WUSA(1970)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  Butch Cassidy and the Sundance Kid(1969)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  Winning(1969)

  Producer

  Midcredits score: 45th percentile of all films45^th

Career shape

A full career of 17 titles from 1969 to 1996.

Biggest box office

Butch Cassidy and the Sundance Kid (1969)

$102M worldwide

Highest rated

Butch Cassidy and the Sundance Kid (1969)

Midcredits 98^th

How do John Foreman's films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 19; across their 19 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

9 of their 19 titles are Crowd Pleasers.

96

• Universally Loved2
• Crowd Pleaser9
• Broadly Agreed2
• Mixed6

Most divisive · producer

Mannequin: On the Move (1991)

79^th percentile spread · 50% rated it 4 or lower

Most loved · producer

Butch Cassidy and the Sundance Kid (1969)

Midcredits 98^th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Foreman's work okay for kids?

Across up to 9 MovieCove titles with content scores, 2 of the 5 categories sit near the median of all films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Foreman work with?

People who share at least 2 of John Foreman's MovieCove titles, grouped by what they did on them; Paul Newman shares the most, 9.