Ruth Brooks Flippen
Writer · Died July 9, 1981, aged 59
- September 14, 1921
- July 9, 1981 (aged 59)
- Writer
- 11 on MovieCove · 18 credits in all
What are Ruth Brooks Flippen's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 8 · Serious 0 · Dark 0
A split, not a type: Grounded 5 · Stylized 3 · Heightened 0
Gentle 6 · Charged 2 · Intense 0
Steady 7 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 4 · Funny 3
Slow burn 3 · Even-paced 5 · Relentless 0
Casual 8 · Engaged 0 · Full focus 0
Easy watch 7 · Affecting 1 · Heavy 0
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ruth Brooks Flippen's films?
As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ruth Brooks Flippen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 11 with a MovieCove page.
The Love Boat(1977)
Midcredits score: 20th percentile of all shows
Let's Switch! (not in the MovieCove catalog yet)(1975)
Scooby-Doo! Meets the Harlem Globetrotters (not in the MovieCove catalog yet)(1972)
The Banana Splits in Hocus Pocus Park (not in the MovieCove catalog yet)(1972)
The Adventures of Robin Hoodnik (not in the MovieCove catalog yet)(1972)
Midcredits score: 77th percentile of all shows
Jan & Dean: On the Run (not in the MovieCove catalog yet)(1966)
Bewitched(1964)
Midcredits score: 80th percentile of all shows
Looking for Love(1964)
Midcredits score: 31st percentile of all films
A Ticklish Affair (not in the MovieCove catalog yet)(1963)
Gidget Goes to Rome(1963)
Midcredits score: 21st percentile of all films
Sail a Crooked Ship(1961)
Midcredits score: 38th percentile of all films
Gidget Goes Hawaiian (not in the MovieCove catalog yet)(1961)
I Love Melvin(1953)
Midcredits score: 64th percentile of all films
Midcredits score: 26th percentile of all films
Because You're Mine(1952)
Midcredits score: 40th percentile of all films
Love Is Better Than Ever(1952)
Midcredits score: 29th percentile of all films
Three Guys Named Mike(1951)
Midcredits score: 46th percentile of all films
Career shape
A full career of 17 titles from 1951 to 1977.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ruth Brooks Flippen's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th6
- Below 25th2
Shape of the crowd
None of their 11 titles divides audiences: 7 are Mixed.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed7
Reviewers score the dialogue 47/100 and the plot and story 33/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ruth Brooks Flippen work with?
People who share at least 2 of Ruth Brooks Flippen's MovieCove titles, grouped by what they did on them; Adrienne Fazan shares the most, 3.
Directors
- Don WeisShared titles: Looking for Love (1964), I Love Melvin (1953)See all 2 shared titles with Don Weis
Writers
- George WellsShared titles: I Love Melvin (1953), Everything I Have Is Yours (1952)See all 2 shared titles with George Wells
Actors
- Joby BakerShared titles: Looking for Love (1964), Gidget Goes to Rome (1963)See all 2 shared titles with Joby Baker
- Noreen CorcoranShared titles: Gidget Goes to Rome (1963), I Love Melvin (1953)See all 2 shared titles with Noreen Corcoran
- Eduard FranzShared titles: Because You're Mine (1952), Everything I Have Is Yours (1952)See all 2 shared titles with Eduard Franz
- Jeff DonnellShared titles: Because You're Mine (1952), Three Guys Named Mike (1951)See all 2 shared titles with Jeff Donnell
Composers, cinematographers and editors
- Adrienne FazanShared titles: Looking for Love (1964), I Love Melvin (1953), Everything I Have Is Yours (1952)See all 3 shared titles with Adrienne Fazan
- George StollShared titles: Looking for Love (1964), I Love Melvin (1953)See all 2 shared titles with George Stoll
- William A. LyonShared titles: Gidget Goes to Rome (1963), Sail a Crooked Ship (1961)See all 2 shared titles with William A. Lyon
- Harold RossonShared titles: I Love Melvin (1953), Love Is Better Than Ever (1952)See all 2 shared titles with Harold Rosson
Producers
- Joe PasternakShared titles: Looking for Love (1964), Because You're Mine (1952)See all 2 shared titles with Joe Pasternak
