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Charles K. Feldman

Producer · Died May 25, 1968, aged 64 · New York City, New York, USA

Oscar nominee

Charles K. Feldman was born on 26 April 1904 in New York City, New York, USA. He was a producer and actor, known for A Streetcar Named Desire (1951), The Seven Year Itch (1955) and Casino Royale (1967). He was married to Clotilde Barot and Jean Howard. He died on 25 May 1968 in Beverly Hills, Los Angeles, California, USA.

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Biography from IMDb.

Born
April 26, 1904
Died
May 25, 1968 (aged 64)
From
New York City, New York, USA
Works as
Producer
Titles
14 on MovieCove · 15 credits in all
TMDB popularity, last 155 days to Oct 26Down 29% in 30 days

What are Charles K. Feldman's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 1 · Dark 6

A split, not a type: Grounded 7 · Stylized 4 · Heightened 3

Gentle 3 · Charged 9 · Intense 2

Steady 4 · Shifting 5 · Whiplash 5

A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 4

Slow burn 6 · Even-paced 7 · Relentless 1

A split, not a type: Casual 7 · Engaged 6 · Full focus 1

A split, not a type: Easy watch 6 · Affecting 5 · Heavy 3

Resolved 12 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Joyful
5
Absurd
4
Warm
4
Other
13

How their films end · 1 with a twist

  • Happy7
  • Bittersweet3
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles K. Feldman's films?

As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Charles K. Feldman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 14 with a MovieCove page.

  • The Honey Pot(1967)

    Executive Producer · Presenter

    Midcredits score: 69th percentile of all films
  • Casino Royale(1967)

    Producer

    Midcredits score: 14th percentile of all films
  • The Group(1966)

    Executive Producer

    Midcredits score: 60th percentile of all films
  • What's New Pussycat(1965)

    Producer

    Midcredits score: 45th percentile of all films
  • The 7th Dawn(1964)

    Producer

    Midcredits score: 56th percentile of all films
  • Walk on the Wild Side(1962)

    Presenter · Producer

    Midcredits score: 68th percentile of all films
  • North to Alaska(1960)

    Producer

    Midcredits score: 77th percentile of all films
  • The Seven Year Itch(1955)

    Producer

    Midcredits score: 80th percentile of all films
  • Midcredits score: 97th percentile of all films
  • The Glass Menagerie (not in the MovieCove catalog yet)(1950)

    Producer

  • The Red Pony(1949)

    Producer

    Midcredits score: 53rd percentile of all films
  • Red River(1948)

    Executive Producer

    Midcredits score: 96th percentile of all films
  • Macbeth(1948)

    Producer

    Midcredits score: 91st percentile of all films
  • The Lady Is Willing(1942)

    Producer

    Midcredits score: 56th percentile of all films
  • The Spoilers(1942)

    Producer

    Midcredits score: 67th percentile of all films

Career shape

A full career of 11 titles from 1942 to 1967.

By role

only this rolewith another role
Producing11 of 11: 9 only producing, 2 with another role · typical Midcredits score69thOther crew2 of 11: 0 only other crew, 2 with another role

By decade

1940s2 · crew1950s3 · crew1960s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Oscar in 1952, Best Picture.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Charles K. Feldman's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 14

Approval · how many liked their films

69thpercentile
Typical film, the median of 14

Reach · how many have seen their films

79thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 50th to 74th7
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 14 titles divides audiences: 10 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser10
  • Broadly Agreed1
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles K. Feldman's work okay for kids?

Across up to 6 MovieCove titles with content scores, profanity and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles20–51 · median 38 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles14–31 · median 22 · mildnear the median of all filmsMedian of all films: 32
Profanity5 titles1–25 · median 5 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs5 titles37–47 · median 43 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles12–48 · median 25 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Charles K. Feldman work with?

People who share at least 2 of Charles K. Feldman's MovieCove titles, grouped by what they did on them; Capucine shares the most, 5.

Writers

Actors

Composers and cinematographers

Producers