Joseph Jefferson Farjeon
- Writer
- 3 on MovieCove · 11 credits in all
What are Joseph Jefferson Farjeon's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 0
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joseph Jefferson Farjeon's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Joseph Jefferson Farjeon's titles on MovieCove; rent and buy are not counted.
Filmography
11 credits, 3 with a MovieCove page.
Number 17 (not in the MovieCove catalog yet)(1949)
The Last Journey(1935)
Midcredits score: 72nd percentile of all films
The Phantom Light (not in the MovieCove catalog yet)(1935)
The Ghost Camera(1933)
Midcredits score: 51st percentile of all films
Number Seventeen (not in the MovieCove catalog yet)(1932)
The Rasp (not in the MovieCove catalog yet)(1932)
My Friend the King (not in the MovieCove catalog yet)(1932)
The House Opposite (not in the MovieCove catalog yet)(1932)
Rynox(1931)
Midcredits score: 20th percentile of all films
Two Crowded Hours (not in the MovieCove catalog yet)(1931)
Haus Nummer 17 (not in the MovieCove catalog yet)(1928)
Career shape
A full career of 11 titles from 1928 to 1949.
How do Joseph Jefferson Farjeon's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 50th to 74th2
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Crowd Pleaser.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 48/100 and the plot and story 48/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Joseph Jefferson Farjeon work with?
People who share at least 2 of Joseph Jefferson Farjeon's MovieCove titles, grouped by what they did on them; Bernard Vorhaus shares the most, 2.
Directors
- Bernard VorhausShared titles: The Last Journey (1935), The Ghost Camera (1933)See all 2 shared titles with Bernard Vorhaus
Writers
- H. Fowler MearShared titles: The Last Journey (1935), The Ghost Camera (1933)See all 2 shared titles with H. Fowler Mear
Actors
- Charles PatonShared titles: The Ghost Camera (1933), Rynox (1931)See all 2 shared titles with Charles Paton
Producers
- Julius HagenShared titles: The Last Journey (1935), The Ghost Camera (1933)See all 2 shared titles with Julius Hagen