Skip to content
MovieCove

Anne Fabini

Editor · Born January 1, 1969 (57)

Born
January 1, 1969 (57)
Works as
Editor
Titles
18 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Up 1% in 30 days

What are Anne Fabini's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Survival and Power.

Genres

Documentary9 titlesTypical Midcredits score: 89th percentile, at or above their average across these genres
: browse their Documentary movies
Drama5 titlesTypical Midcredits score: 60th percentile
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 72nd percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
20%
Power
19%
Society
18%
Bonds
15%
Self
11%
Morality
11%
Ideas
6%
Oppression3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeFreedom4 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themePrejudice2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 4 · Serious 2 · Dark 10

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 11 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 5 · Intense 9

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 5 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 13 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 10 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 2 · Affecting 4 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Contemplative
7
Melancholic
8
Hopeful
6
Dread
4
Other
10

How their films linger

Thought-provoking12 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertasteInfuriating2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet8
  • Ambiguous6
  • Cyclical1
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne Fabini's films?

As of October 24, 2026, 8 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Anne Fabini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 18 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Call Me Queen(2026)

    Editor

    Midcredits score: 81st percentile of all films (provisional, few ratings)

  • What Marielle Knows(2025)

    Editor

    Midcredits score: 60th percentile of all films

  • The Investigation(2024)

    Editor

    Midcredits score: 89th percentile of all films

  • Life is Beautiful: A Letter to Gaza(2023)

    Executive Producer · Story Consultant · Supervising Editor

    Midcredits score: 87th percentile of all films

  • The Outrun(2024)

    Consulting Editor

    Midcredits score: 79th percentile of all films

  • Power of Love (not in the MovieCove catalog yet)(2023)

    Editor

  • Someday We'll Tell Each Other Everything(2023)

    Editor

    Midcredits score: 45th percentile of all films

  • Alis (not in the MovieCove catalog yet)(2023)

    Editor · Writer

  • My Name Is Andrea(2022)

    Editor

    Midcredits score: 44th percentile of all films (provisional, few ratings)

  • The Death of My Mother (not in the MovieCove catalog yet)(2022)

    Editor

  • One of These Days(2020)

    Editor

    Midcredits score: 42nd percentile of all films

  • Be My Voice(2021)

    Editor

    Midcredits score: 42nd percentile of all films

  • In den Uffizien(2021)

    Editor

    Midcredits score: 86th percentile of all films (provisional, few ratings)

  • Writing with Fire(2021)

    Editor

    Midcredits score: 89th percentile of all films

  • Aswang(2019)

    Editor

    Midcredits score: 96th percentile of all films

  • El padre medico (not in the MovieCove catalog yet)(2019)

    Editor

  • The Tale(2018)

    Editor

    Midcredits score: 90th percentile of all films

  • Of Fathers and Sons(2017)

    Editor

    Midcredits score: 89th percentile of all films

  • If I Think of Germany at Night (not in the MovieCove catalog yet)(2017)

    Editor

  • Morris from America(2016)

    Editor

    Midcredits score: 56th percentile of all films

  • 300 Worte Deutsch (not in the MovieCove catalog yet)(2015)

    Editor

  • Beyond Punishment (not in the MovieCove catalog yet)(2015)

    Editor

  • California City (not in the MovieCove catalog yet)(2014)

    Editor

  • Houston (not in the MovieCove catalog yet)(2013)

    Editor

  • The Return to Homs(2013)

    Editor

    Midcredits score: 92nd percentile of all films

  • More Than Honey(2012)

    Editor

    Midcredits score: 94th percentile of all films

  • Berlin Calling(2008)

    Editor

    Midcredits score: 87th percentile of all films

  • Berlin is in Germany (not in the MovieCove catalog yet)(2001)

    Editor

  • Berlin is in Germany (not in the MovieCove catalog yet)(1998)

    Editor

Career shape

A full career of 24 titles from 1998 to 2025.

Biggest box office

More Than Honey (2012)

$1.6M worldwide

Highest rated

Aswang (2019)

Midcredits 96th

Most popular right now

Someday We'll Tell Each Other Everything (2023)

By role

only this rolewith another role
Writing2 of 24: 0 only writing, 2 with another roleProducing1 of 24: 0 only producing, 1 with another roleEditing23 of 24: 21 only editing, 2 with another role · typical Midcredits score87thOther crew1 of 24: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s2 · crew2010s11 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anne Fabini's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 18; across their 16 films with reception data, the typical film sits in the 87th percentile for acclaim.

Acclaim · how much people like their films

87thpercentile
Typical film, the median of 16

Approval · how many liked their films

81stpercentile
Typical film, the median of 16

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 16

Midcredits score across 18 titles, by percentile

  • 75th and up12
  • 50th to 74th2
  • 25th to 49th4

Shape of the crowd

9 of their 18 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive2
  • Crowd Pleaser9
  • Mixed6

Most divisive · editor

My Name Is Andrea (2022)

97th percentile spread · 35% rated it 4 or lower

Most loved · editor

Aswang (2019)

Midcredits 96th · 84% liked

Reviewers score the pacing 53/100 in their films, across 9 reviewed titles; fans 61, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anne Fabini work with?

People who share at least 2 of Anne Fabini's MovieCove titles, grouped by what they did on them; Emily Atef shares the most, 2.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles