Riley Kathryn Ellis
- Producer
- 9 on MovieCove
What are Riley Kathryn Ellis' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 3 · Serious 3 · Dark 1
A split, not a type: Grounded 4 · Stylized 3 · Heightened 0
Gentle 3 · Charged 3 · Intense 1
Steady 2 · Shifting 4 · Whiplash 1
Straight-faced 2 · Some laughs 3 · Funny 2
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
Easy watch 5 · Affecting 0 · Heavy 2
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy6
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Riley Kathryn Ellis' films?
As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service, most on Disney+ (4).
Subscription and free streaming for Riley Kathryn Ellis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 9 with a MovieCove page.

Diary of a Wimpy Kid(2010)
Midcredits score: 59th percentile of all films
Good Boy(2003)
Midcredits score: 23rd percentile of all films
Madeline: Lost in Paris(1999)
Midcredits score: 61st percentile of all films
Metro(1997)
Midcredits score: 23rd percentile of all films
Flash(1997)
Midcredits score: 83rd percentile of all films
First Kid(1996)
Midcredits score: 30th percentile of all films
Powder(1995)
Midcredits score: 66th percentile of all films
Houseguest(1995)
Midcredits score: 43rd percentile of all films
Die Hard(1988)
Midcredits score: 99th percentile of all films
Career shape
A full career of 7 titles from 1988 to 2010.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Riley Kathryn Ellis' films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 41st percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th2
- Below 25th2
Shape of the crowd
4 of their 9 titles are Mixed.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Riley Kathryn Ellis' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Riley Kathryn Ellis work with?
People who share at least 2 of Riley Kathryn Ellis' MovieCove titles, grouped by what they did on them; Roger Birnbaum shares the most, 5.
Actors
- Paul Ben-VictorShared titles: Metro (1997), Houseguest (1995)See all 2 shared titles with Paul Ben-Victor

- SinbadShared titles: First Kid (1996), Houseguest (1995)See all 2 shared titles with Sinbad

Cinematographers
- Jerzy ZielinskiShared titles: Houseguest (1995), Powder (1995)See all 2 shared titles with Jerzy Zielinski

Producers
- Roger BirnbaumShared titles: Flash (1997), Metro (1997), First Kid (1996), Houseguest (1995), Powder (1995)See all 5 shared titles with Roger Birnbaum


