Brian Easdale
Composer · Died October 30, 1995, aged 86
- August 10, 1909
- October 30, 1995 (aged 86)
- Composer
- 7 on MovieCove · 16 credits in all
What are Brian Easdale's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 0 · Serious 0 · Dark 6
A split, not a type: Grounded 1 · Stylized 2 · Heightened 3
Gentle 0 · Charged 1 · Intense 5
Steady 2 · Shifting 4 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 5 · Relentless 0
Casual 0 · Engaged 6 · Full focus 0
Easy watch 0 · Affecting 0 · Heavy 6
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Brian Easdale's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Brian Easdale's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 7 with a MovieCove page.
The Queen's Guards (not in the MovieCove catalog yet)(1961)
Peeping Tom(1960)
Midcredits score: 94th percentile of all films
Hazard (not in the MovieCove catalog yet)(1959)
Miracle in Soho (not in the MovieCove catalog yet)(1957)
Earth is a Battlefield (not in the MovieCove catalog yet)(1957)
Pursuit of the Graf Spee(1956)
Midcredits score: 68th percentile of all films
Outcast of the Islands(1951)
Midcredits score: 70th percentile of all films
The Elusive Pimpernel (not in the MovieCove catalog yet)(1950)
The Wild Heart(1950)
Midcredits score: 74th percentile of all films
The Small Back Room(1949)
Midcredits score: 84th percentile of all films
The Red Shoes(1948)
Midcredits score: 98th percentile of all films
“The Red Shoes” Sketches (not in the MovieCove catalog yet)(1948)
Black Narcissus(1947)
Midcredits score: 95th percentile of all films
Ferry Pilot (not in the MovieCove catalog yet)(1942)
A Job in a Million (not in the MovieCove catalog yet)(1937)
Secrets of Kew Gardens (not in the MovieCove catalog yet)(1937)
Career shape
A full career of 16 titles from 1937 to 1961.
Biggest box office
Black Narcissus (1947)
Highest rated
Black Narcissus (1947)
Most popular right now
Peeping Tom (1960)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Brian Easdale's films land?
Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 78th percentile for acclaim.
- 75th and up4
- 50th to 74th3
Shape of the crowd
None of their 7 titles divides audiences: 4 are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser4
Reviewers score the sound and music 68/100 in their films, across 6 reviewed titles; fans 73, detractors 44. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Brian Easdale work with?
People who share at least 2 of Brian Easdale's MovieCove titles, grouped by what they did on them; Michael Powell shares the most, 5.
Directors
- Michael PowellShared titles: Peeping Tom (1960), Pursuit of the Graf Spee (1956), The Wild Heart (1950), The Small Back Room (1949), Black Narcissus (1947)See all 5 shared titles with Michael Powell
- Emeric PressburgerShared titles: Pursuit of the Graf Spee (1956), The Wild Heart (1950), The Small Back Room (1949), Black Narcissus (1947)See all 4 shared titles with Emeric Pressburger
Actors
- Esmond KnightShared titles: Peeping Tom (1960), The Wild Heart (1950), Black Narcissus (1947)See all 3 shared titles with Esmond Knight
- Michael GoodliffeShared titles: Peeping Tom (1960), Pursuit of the Graf Spee (1956), The Small Back Room (1949)See all 3 shared titles with Michael Goodliffe
- David FarrarShared titles: The Wild Heart (1950), The Small Back Room (1949), Black Narcissus (1947)See all 3 shared titles with David Farrar
- Peter IllingShared titles: Pursuit of the Graf Spee (1956), Outcast of the Islands (1951)See all 2 shared titles with Peter Illing
Cinematographers and editors
- Reginald MillsShared titles: Pursuit of the Graf Spee (1956), The Wild Heart (1950), The Small Back Room (1949), Black Narcissus (1947)See all 4 shared titles with Reginald Mills
- Christopher ChallisShared titles: Pursuit of the Graf Spee (1956), The Wild Heart (1950), The Small Back Room (1949)See all 3 shared titles with Christopher Challis
Producers
- George R. BusbyShared titles: The Small Back Room (1949), Black Narcissus (1947)See all 2 shared titles with George R. Busby
Mixed roles
- Anthony BushellShared titles: Pursuit of the Graf Spee (1956), The Small Back Room (1949)See all 2 shared titles with Anthony Bushell
