Jolanta Dylewska

What are Jolanta Dylewska's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jolanta Dylewska's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Spoor (2017) · cinematographer · free
  • Maries Lied (1994) · cinematographer · free
• Pluto TV1 title, browse their movies on this service
  • Spoor (2017) · cinematographer · free
• Prime Video1 title, browse their movies on this service
  • Maries Lied (1994) · cinematographer
• The Roku Channel1 title, browse their movies on this service
  • Orzel. Ostatni patrol (2022) · cinematographer · free

Subscription and free streaming for Jolanta Dylewska's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  Through the Wall (not in the MovieCove catalog yet)(2026)

  Cinematographer
• 

  Abel (not in the MovieCove catalog yet)(2026)

  Cinematographer
• 

  Brother (not in the MovieCove catalog yet)(2025)

  Cinematographer
• 

  Orzel. Ostatni patrol(2022)

  Cinematographer

  Midcredits score: 15th percentile of all films15^th
• 

  The Passage (not in the MovieCove catalog yet)(2021)

  Cinematographer
• 

  Marek Edelman… And There Was Love in the Ghetto (not in the MovieCove catalog yet)(2019)

  Director · Cinematographer · Screenplay
• 

  Ayka (not in the MovieCove catalog yet)(2018)

  Cinematographer
• 

  Spoor(2017)

  Cinematographer

  Midcredits score: 58th percentile of all films58^th
• 

  In Darkness(2011)

  Cinematographer

  Midcredits score: 88th percentile of all films88^th
• 

  Made in Poland (not in the MovieCove catalog yet)(2010)

  Cinematographer
• 

  Tulpan (not in the MovieCove catalog yet)(2009)

  Cinematographer
• 

  Po-lin. Shards of Memory (not in the MovieCove catalog yet)(2008)

  Director · Camera Operator · Screenplay
• 

  The Perfect Afternoon (not in the MovieCove catalog yet)(2007)

  Cinematographer
• W dół kolorowym wzgórzem (not in the MovieCove catalog yet)(2004)

  Cinematographer
• 

  The Edelweiss Pirates (not in the MovieCove catalog yet)(2004)

  Cinematographer
• 

  Queen of the Angels (not in the MovieCove catalog yet)(1999)

  Cinematographer
• Children of the Night (not in the MovieCove catalog yet)(1999)

  Director
• 

  Conversation with a Cupboard Man (not in the MovieCove catalog yet)(1994)

  Cinematographer
• 

  Maries Lied(1994)

  Cinematographer

  Midcredits score: 32nd percentile of all films32^nd
• Chronicle of the Warsaw Ghetto Uprising According to Marek Edelman (not in the MovieCove catalog yet)(1993)

  Director
• Jam Dwór Polski (not in the MovieCove catalog yet)(1990)

  Cinematographer
• Matylda (not in the MovieCove catalog yet)(1988)

  Director · Screenplay
• Włosy. Post scriptum do "Infantki" (not in the MovieCove catalog yet)(1986)

  Director · Screenplay
• 

  Each of Us (not in the MovieCove catalog yet)

  Cinematographer
• Ona (not in the MovieCove catalog yet)

  Cinematographer
• Pięć bajek o miłości (not in the MovieCove catalog yet)

  Camera Operator

Career shape

A full career of 25 titles, 22 of them dated from 1986 to 2026.

Biggest box office

In Darkness (2011)

$10M worldwide

Highest rated

In Darkness (2011)

Midcredits 88^th

How do Jolanta Dylewska's films land?

Their typical MovieCove film has a Midcredits score in the 45^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 41^st percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Crowd Pleaser1
• Mixed3

Most divisive · cinematographer

Orzel. Ostatni patrol (2022)

56^th percentile spread · 44% rated it 4 or lower

Most loved · cinematographer

In Darkness (2011)

Midcredits 88^th · 78% liked

Reviewers score the cinematography 66/100 in their films, across 4 reviewed titles; fans 71, detractors 42. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jolanta Dylewska's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jolanta Dylewska work with?

People who share at least 2 of Jolanta Dylewska's MovieCove titles, grouped by what they did on them; Agnieszka Holland shares the most, 2.