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Roger Dwyre

Editor, also producer

Works as
Editor, also producer
Titles
21 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 31% in 30 days

What are Roger Dwyre's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama8 titlesTypical Midcredits score: 73rd percentile, at or above their average across these genres
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 31st percentile
: browse their Comedy movies
Adventure3 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Adventure movies
Crime3 titlesTypical Midcredits score: 69th percentile, at or above their average across these genres
: browse their Crime movies
Action2 titlesTypical Midcredits score: 34th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
27%
Bonds
16%
Power
14%
Survival
13%
Self
13%
Society
9%
Ideas
8%
Romantic love6 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeBetrayal5 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeFate3 titles, browse their movies with this themeSacrifice4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 7 · Serious 3 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 10 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 6 · Charged 7 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 11 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 12 · Some laughs 7 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 15 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 14 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 9 · Affecting 3 · Heavy 9

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 12 · Open-ended 6 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Melancholic
12
Romantic
5
Absurd
3
Joyful
2
Other
18

How their films linger

Haunting8 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy3
  • Bittersweet7
  • Tragic4
  • Ambiguous7

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roger Dwyre's films?

As of October 24, 2026, 10 of their 21 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Roger Dwyre's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 21 with a MovieCove page.

  • The Day That Shook the World(1975)

    Editor

    Midcredits score: 44th percentile of all films

  • War Goddess(1973)

    Editor

    Midcredits score: 14th percentile of all films

  • ...And Hope to Die(1972)

    Editor

    Midcredits score: 69th percentile of all films

  • Kill! Kill! Kill! Kill!(1971)

    Editor

    Midcredits score: 17th percentile of all films

  • The Madwoman of Chaillot(1969)

    Editor

    Midcredits score: 45th percentile of all films

  • The Battle of Neretva(1969)

    Editor

    Midcredits score: 80th percentile of all films

  • Triple Cross(1966)

    Editor

    Midcredits score: 50th percentile of all films

  • 10:30 P.M. Summer(1966)

    Editor · Producer

    Midcredits score: 53rd percentile of all films

  • The Defector(1966)

    Editor

    Midcredits score: 29th percentile of all films

  • Lady L(1965)

    Editor

    Midcredits score: 27th percentile of all films

  • Topkapi(1964)

    Associate Producer · Editor

    Midcredits score: 76th percentile of all films

  • Gigot (not in the MovieCove catalog yet)(1962)

    Editor

  • Phaedra(1962)

    Editor

    Midcredits score: 72nd percentile of all films

  • Paris Blues(1961)

    Editor

    Midcredits score: 73rd percentile of all films

  • The Big Gamble (not in the MovieCove catalog yet)(1961)

    Editor

  • Never on Sunday(1960)

    Editor

    Midcredits score: 87th percentile of all films

  • Crack in the Mirror (not in the MovieCove catalog yet)(1960)

    Editor

  • Once More, with Feeling! (not in the MovieCove catalog yet)(1960)

    Assistant Editor

  • The Law (not in the MovieCove catalog yet)(1959)

    Editor

  • Tamango (not in the MovieCove catalog yet)(1958)

    Editor

  • He Who Must Die(1957)

    Editor

    Midcredits score: 85th percentile of all films

  • Typhoon Over Nagasaki (not in the MovieCove catalog yet)(1957)

    Editor

  • The Ambassador's Daughter(1956)

    Editor

    Midcredits score: 31st percentile of all films

  • Rififi(1955)

    Editor

    Midcredits score: 98th percentile of all films

  • The Slave (not in the MovieCove catalog yet)(1953)

    Editor

  • Forbidden Games(1952)

    Editor

    Midcredits score: 97th percentile of all films

  • The Glass Castle(1950)

    Editor

    Midcredits score: 29th percentile of all films

  • Just Me (not in the MovieCove catalog yet)(1950)

    Editor

  • Lady Paname (not in the MovieCove catalog yet)(1950)

    Editor

  • A Royal Affair(1949)

    Editor

    Midcredits score: 18th percentile of all films (provisional, few ratings)

  • Terre de Glaces (not in the MovieCove catalog yet)(1949)

    Editor

  • The Damned(1947)

    Editor

    Midcredits score: 77th percentile of all films

Career shape

A full career of 30 titles from 1947 to 1975.

Biggest box office

Rififi (1955)

$526K worldwide

Highest rated

Rififi (1955)

Midcredits 98th

Most popular right now

Forbidden Games (1952)

By role

only this rolewith another role
Producing1 of 30: 0 only producing, 1 with another roleEditing29 of 30: 28 only editing, 1 with another role · typical Midcredits score53rdOther crew1 of 30: 1 only other crew, 0 with another role

By decade

1940s3 · crew1950s11 · crew1960s12 · crew1970s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Roger Dwyre's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 21; across their 21 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 21

Approval · how many liked their films

56thpercentile
Typical film, the median of 21

Reach · how many have seen their films

49thpercentile
Typical film, the median of 21

Midcredits score across 21 titles, by percentile

  • 75th and up7
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

10 of their 21 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser10
  • Broadly Agreed2
  • Mixed7

Most divisive · editor

War Goddess (1973)

73rd percentile spread · 39% rated it 4 or lower

Most loved · editor

Rififi (1955)

Midcredits 98th · 86% liked

Reviewers score the pacing 41/100 in their films, across 20 reviewed titles; fans 51, detractors 22. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Roger Dwyre's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 23 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Roger Dwyre work with?

People who share at least 2 of Roger Dwyre's MovieCove titles, grouped by what they did on them; Jules Dassin shares the most, 6.

Directors

Writers

Actors

Composers and cinematographers

Producers