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Marie-Sophie Dubus

Editor

Works as
Editor
Titles
19 on MovieCove · 45 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 11% in 30 days

What are Marie-Sophie Dubus' films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy7 titlesTypical Midcredits score: 40th percentile
: browse their Comedy movies
Drama6 titlesTypical Midcredits score: 58th percentile
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Crime movies
Documentary2 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
26%
Morality
22%
Self
21%
Ideas
11%
Power
9%
Survival
8%
Society
3%
Romantic love5 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeObsession3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 8 · Serious 2 · Dark 9

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 4 · Heightened 7

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 7 · Charged 4 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 10 · Shifting 5 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 9 · Some laughs 5 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 10 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 8 · Full focus 4

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 9 · Affecting 2 · Heavy 8

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 11 · Open-ended 4 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
7
Absurd
4
Joyful
4
Romantic
5
Other
16

How their films linger

Haunting9 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy6
  • Bittersweet3
  • Tragic7
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marie-Sophie Dubus' films?

As of October 24, 2026, 9 of their 19 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Marie-Sophie Dubus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

45 credits, 19 with a MovieCove page.

  • Emma (not in the MovieCove catalog yet)(2011)

    Editor

  • Fracture (not in the MovieCove catalog yet)(2010)

    Editor

  • Sous un autre jour (not in the MovieCove catalog yet)(2009)

    Editor

  • Out of the Blue (not in the MovieCove catalog yet)(2007)

    Editor

  • The True Legend of the Eiffel Tower (not in the MovieCove catalog yet)(2005)

    Editor

  • L'Enfant de personne (not in the MovieCove catalog yet)(2005)

    Editor

  • Dark Night, October 17, 1961 (not in the MovieCove catalog yet)(2005)

    Editor

  • À cran, deux ans après (not in the MovieCove catalog yet)(2004)

    Show 2 episodes · Editor

  • La Vie au grand air (not in the MovieCove catalog yet)(2002)

    Editor

  • Lisa (not in the MovieCove catalog yet)(2001)

    Editor

  • Fidelity(2000)

    Editor

    Midcredits score: 39th percentile of all films

  • The Climb (not in the MovieCove catalog yet)(1998)

    Editor

  • Le monde d'Angelo (not in the MovieCove catalog yet)(1998)

    Editor

  • The Jaguar(1996)

    Editor

    Midcredits score: 39th percentile of all films

  • The Castle of Olive Trees (not in the MovieCove catalog yet)(1993)

    Show 8 episodes · Editor

  • The Maid(1990)

    Editor

    Midcredits score: 40th percentile of all films

  • The Blue Note (not in the MovieCove catalog yet)(1991)

    Editor

  • Sweet Revenge (not in the MovieCove catalog yet)(1990)

    Editor

  • Boris Godounov (not in the MovieCove catalog yet)(1989)

    Editor

  • My Nights Are More Beautiful Than Your Days(1989)

    Editor

    Midcredits score: 50th percentile of all films

  • Sweet Lies (not in the MovieCove catalog yet)(1987)

    Editor

  • The Fugitives(1986)

    Editor

    Midcredits score: 82nd percentile of all films

  • Family Business (not in the MovieCove catalog yet)(1986)

    Editor

  • Mad Love(1985)

    Editor

    Midcredits score: 46th percentile of all films

  • The Public Woman(1984)

    Editor

    Midcredits score: 66th percentile of all films

  • The ComDads(1983)

    Editor

    Midcredits score: 80th percentile of all films

  • Pick Up Your Belongings (not in the MovieCove catalog yet)(1983)

    Editor

  • Possession(1981)

    Editor

    Midcredits score: 88th percentile of all films

  • Heroes Are Not Wet Behind the Ears(1978)

    Editor

    Midcredits score: 17th percentile of all films

  • Little Girl in Blue Velvet(1978)

    Editor

    Midcredits score: 24th percentile of all films

  • Madame Claude(1977)

    Editor

    Midcredits score: 17th percentile of all films

  • Emmanuelle: The Joys of a Woman (not in the MovieCove catalog yet)(1975)

    Editor

  • F for Fake(1973)

    Editor

    Midcredits score: 96th percentile of all films

  • Tarpon(1973)

    Editor

    Midcredits score: 56th percentile of all films (provisional, few ratings)

  • The Red Circle(1970)

    Editor

    Midcredits score: 98th percentile of all films

  • Cemetery Without Crosses(1969)

    Editor

    Midcredits score: 70th percentile of all films

  • The Girl Across the Way (not in the MovieCove catalog yet)(1968)

    Editor

  • The Secret Killer(1965)

    Editor

    Midcredits score: 62nd percentile of all films

  • Marked Eyes (not in the MovieCove catalog yet)(1964)

    Editor

  • Death of a Killer (not in the MovieCove catalog yet)(1964)

    Editor

  • Maigret Sees Red(1963)

    Editor

    Midcredits score: 51st percentile of all films

  • To Die in Madrid (not in the MovieCove catalog yet)(1963)

    Assistant Editor

  • The Immoral Moment (not in the MovieCove catalog yet)(1962)

    Assistant Editor

  • Jessica(1962)

    Editor

    Midcredits score: 18th percentile of all films

  • Magritte or the Object Lesson (not in the MovieCove catalog yet)(1960)

    Assistant Editor

Career shape

A full career of 44 titles from 1960 to 2011.

Biggest box office

Possession (1981)

$1.2M worldwide

Highest rated

The Red Circle (1970)

Midcredits 98th

Most popular right now

Possession (1981)

By role

only this rolewith another role
Editing41 of 44: 41 only editing, 0 with another role · typical Midcredits score54thOther crew3 of 44: 3 only other crew, 0 with another role

By decade

1960s10 · crew1970s6 · crew1980s10 · crew1990s7 · crew2000s9 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Marie-Sophie Dubus' films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 19; across their 19 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 19

Approval · how many liked their films

46thpercentile
Typical film, the median of 19

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 19

Midcredits score across 19 titles, by percentile

  • 75th and up5
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th4

Shape of the crowd

8 of their 19 titles are Mixed.

  • Universally Loved2
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed8

Most divisive · editor

Little Girl in Blue Velvet (1978)

77th percentile spread · 43% rated it 4 or lower

Most loved · editor

The Red Circle (1970)

Midcredits 98th · 88% liked

Reviewers score the pacing 46/100 in their films, across 16 reviewed titles; fans 56, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Marie-Sophie Dubus' work okay for kids?

Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 44 · moderateMedian of all films: 44
Sex & Nudity8 titles45–74 · median 69 · intenseheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 5 · minimalMedian of all films: 36
Alcohol & Drugs3 titlesmedian 37 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 33 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Marie-Sophie Dubus work with?

People who share at least 2 of Marie-Sophie Dubus' MovieCove titles, grouped by what they did on them; Andrzej Żuławski shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles