- Writer and producer
- 3 on MovieCove
What are David Dorfman's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
What they feel like to watch
A split, not a type: Ironic 2 · Wry 0 · Earnest 1
Light 3 · Serious 0 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 0 · Some laughs 0 · Funny 3
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch David Dorfman's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for David Dorfman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 2nd percentile of all films
My Boss's Daughter(2003)
Midcredits score: 7th percentile of all films
Anger Management(2003)
Midcredits score: 49th percentile of all films
Career shape
A full career of 3 titles from 2003 to 2011.
How do David Dorfman's films land?
Their typical MovieCove film has a Midcredits score in the 7th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 11th percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the dialogue 32/100 and the plot and story 17/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is David Dorfman's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does David Dorfman work with?
People who share at least 2 of David Dorfman's MovieCove titles, grouped by what they did on them; Teddy Castellucci shares the most, 2.
Composers
- Teddy CastellucciShared titles: Anger Management (2003), My Boss's Daughter (2003)See all 2 shared titles with Teddy Castellucci
Producers
- Adam SandlerShared titles: Bucky Larson: Born to Be a Star (2011), Anger Management (2003)See all 2 shared titles with Adam Sandler
- Allen CovertShared titles: Bucky Larson: Born to Be a Star (2011), Anger Management (2003)See all 2 shared titles with Allen Covert
- Jack GiarraputoShared titles: Bucky Larson: Born to Be a Star (2011), Anger Management (2003)See all 2 shared titles with Jack Giarraputo
- John JacobsShared titles: Anger Management (2003), My Boss's Daughter (2003)See all 2 shared titles with John Jacobs
