Adriano De Micheli

What are Adriano De Micheli's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Adriano De Micheli's films?

As of October 24, 2026, 3 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • First Love (1978) · producer · free
  • Uncle Was a Vampire (1959) · producer · free
• The Criterion Channel1 title, browse their movies on this service
  • We All Loved Each Other So Much (1974) · producer

Subscription and free streaming for Adriano De Micheli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

• 

  Celluloide(1996)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  An Ideal Adventure(1982)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Fantasma d'amore(1981)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Sono fotogenico(1980)

  Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Dear Father(1979)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  First Love(1978)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  Viva Italia!(1977)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Scent of a Woman(1974)

  Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  We All Loved Each Other So Much(1974)

  Producer

  Midcredits score: 99th percentile of all films99^th
• 

  How Funny Can Sex Be?(1973)

  Producer

  Midcredits score: 44th percentile of all films44^th
• 

  The Pizza Triangle(1970)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  The Priest's Wife(1970)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Uncle Was a Vampire(1959)

  Producer

  Midcredits score: 19th percentile of all films19^th

Career shape

Across their 13 MovieCove titles from 1959 to 1996.

Biggest box office

We All Loved Each Other So Much (1974)

$118K worldwide

Highest rated

We All Loved Each Other So Much (1974)

Midcredits 99^th

Most popular right now

First Love (1978)

How do Adriano De Micheli's films land?

Their typical MovieCove film has a Midcredits score in the 58^th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 60^th percentile for acclaim.

Shape of the crowd

None of their 13 titles divides audiences: 6 are Crowd Pleasers.

264

• Universally Loved2
• Crowd Pleaser6
• Broadly Agreed4
• Mixed1

Most loved · producer

We All Loved Each Other So Much (1974)

Midcredits 99^th · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Adriano De Micheli work with?

People who share at least 2 of Adriano De Micheli's MovieCove titles, grouped by what they did on them; Pio Angeletti shares the most, 12.