Louis De Francesco
Composer · Died October 5, 1974, aged 85 · Ales, Sardinia, Italy
Composer, songwriter ("Daddy"), and conductor, educated at the Conservatory of Naples (with a Maestro diploma). He came to the USA in 1910, and toured the country as a conductor of light operas, later joining a film studio as its music director, and then doing film composing and arranging. Joining ASCAP in 1930, his other popular-song compositions and film themes include "Cavalcade", "The White Parade", "Ah, Love, But a Day", "Should She Forget Me Not", "Heart, My Heart", and "The Sun Shines Brighter". - IMDb mini biography by: Hup234!
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Biography from TMDB.
- December 26, 1888
- October 5, 1974 (aged 85)
- Ales, Sardinia, Italy
- Composer
- 11 on MovieCove · 34 credits in all
What are Louis De Francesco's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 3 · Serious 1 · Dark 3
Grounded 5 · Stylized 1 · Heightened 1
Gentle 3 · Charged 3 · Intense 1
Steady 6 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 4 · Funny 0
Slow burn 7 · Even-paced 0 · Relentless 0
Casual 4 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 4 · Affecting 2 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Louis De Francesco's films?
As of October 24, 2026, 2 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Louis De Francesco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 11 with a MovieCove page.
Scenic Sweden (not in the MovieCove catalog yet)(1947)

Golden Horses (not in the MovieCove catalog yet)(1946)
Climbing the Peaks (not in the MovieCove catalog yet)(1943)

United We Stand (not in the MovieCove catalog yet)(1942)

The Ramparts We Watch(1940)
Midcredits score: 48th percentile of all films (provisional, few ratings)
The Gay Deception(1935)
Midcredits score: 71st percentile of all films
Redheads on Parade (not in the MovieCove catalog yet)(1935)

Under Pressure(1935)
Midcredits score: 49th percentile of all films
Caravan (not in the MovieCove catalog yet)(1934)

Music in the Air(1934)
Midcredits score: 63rd percentile of all films
Grand Canary (not in the MovieCove catalog yet)(1934)

Change of Heart (not in the MovieCove catalog yet)(1934)

Coming Out Party (not in the MovieCove catalog yet)(1934)

David Harum (not in the MovieCove catalog yet)(1934)

The World Moves On(1934)
Midcredits score: 39th percentile of all films
I Am Suzanne! (not in the MovieCove catalog yet)(1933)

Mr. Skitch(1933)
Midcredits score: 38th percentile of all films
Hoopla(1933)
Midcredits score: 66th percentile of all films
The Power and the Glory (not in the MovieCove catalog yet)(1933)

Berkeley Square (not in the MovieCove catalog yet)(1933)

Shanghai Madness (not in the MovieCove catalog yet)(1933)

The Warrior's Husband (not in the MovieCove catalog yet)(1933)

Zoo in Budapest (not in the MovieCove catalog yet)(1933)

Pleasure Cruise (not in the MovieCove catalog yet)(1933)

State Fair(1933)
Midcredits score: 66th percentile of all films
Cavalcade(1933)
Midcredits score: 30th percentile of all films
Face in the Sky (not in the MovieCove catalog yet)(1933)

Call Her Savage (not in the MovieCove catalog yet)(1932)

Wild Girl (not in the MovieCove catalog yet)(1932)

6 Hours to Live (not in the MovieCove catalog yet)(1932)

Chandu the Magician (not in the MovieCove catalog yet)(1932)

Pardon Us(1931)
Midcredits score: 73rd percentile of all films
Waterfront (not in the MovieCove catalog yet)(1928)

The Wedding March(1928)
Midcredits score: 86th percentile of all films
Career shape
A full career of 31 titles from 1928 to 1947.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Louis De Francesco's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 11; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th5
Shape of the crowd
5 of their 11 titles are Crowd Pleasers.
- Crowd Pleaser5
- Broadly Agreed2
- Mixed4
Reviewers score the sound and music 57/100 in their films, across 3 reviewed titles; fans 63, detractors 48. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Louis De Francesco work with?
People who share at least 2 of Louis De Francesco's MovieCove titles, grouped by what they did on them; Peter Brunelli shares the most, 3.
Directors
- Frank LloydShared titles: Cavalcade (1933), Hoopla (1933)See all 2 shared titles with Frank Lloyd

Writers
- Henry WalesShared titles: The World Moves On (1934), State Fair (1933)See all 2 shared titles with Henry Wales
- Reginald BerkeleyShared titles: The World Moves On (1934), Cavalcade (1933)See all 2 shared titles with Reginald Berkeley
- Sonya LevienShared titles: Mr. Skitch (1933), State Fair (1933)See all 2 shared titles with Sonya Levien

Actors
- Frank MeltonShared titles: The World Moves On (1934), State Fair (1933)See all 2 shared titles with Frank Melton

- Louise DresserShared titles: The World Moves On (1934), State Fair (1933)See all 2 shared titles with Louise Dresser

- Herbert MundinShared titles: Cavalcade (1933), Hoopla (1933)See all 2 shared titles with Herbert Mundin

- Will RogersShared titles: Mr. Skitch (1933), State Fair (1933)See all 2 shared titles with Will Rogers

Composers, cinematographers and editors
- Peter BrunelliShared titles: The Ramparts We Watch (1940), Cavalcade (1933), Mr. Skitch (1933)See all 3 shared titles with Peter Brunelli
- David ButtolphShared titles: The World Moves On (1934), Mr. Skitch (1933)See all 2 shared titles with David Buttolph

- Paul WeatherwaxShared titles: The World Moves On (1934), The Wedding March (1928)See all 2 shared titles with Paul Weatherwax
- Hal MohrShared titles: State Fair (1933), The Wedding March (1928)See all 2 shared titles with Hal Mohr

Producers
- Winfield R. SheehanShared titles: The World Moves On (1934), Cavalcade (1933), State Fair (1933)See all 3 shared titles with Winfield R. Sheehan

Mixed roles
- James GleasonShared titles: The World Moves On (1934), Hoopla (1933)See all 2 shared titles with James Gleason


