Skip to content
MovieCove

Louis De Francesco

Composer · Died October 5, 1974, aged 85 · Ales, Sardinia, Italy

Composer, songwriter ("Daddy"), and conductor, educated at the Conservatory of Naples (with a Maestro diploma). He came to the USA in 1910, and toured the country as a conductor of light operas, later joining a film studio as its music director, and then doing film composing and arranging. Joining ASCAP in 1930, his other popular-song compositions and film themes include "Cavalcade", "The White Parade", "Ah, Love, But a Day", "Should She Forget Me Not", "Heart, My Heart", and "The Sun Shines Brighter". - IMDb mini biography by: Hup234!

Read more

Biography from TMDB.

Born
December 26, 1888
Died
October 5, 1974 (aged 85)
From
Ales, Sardinia, Italy
Works as
Composer
Titles
11 on MovieCove · 34 credits in all
TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Louis De Francesco's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 3

Grounded 5 · Stylized 1 · Heightened 1

Gentle 3 · Charged 3 · Intense 1

Steady 6 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 3 · Some laughs 4 · Funny 0

Slow burn 7 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 1

Resolved 7 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Romantic
3
Joyful
2
Tense
2
Warm
2
Other
5

How their films end

  • Happy2
  • Bittersweet2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louis De Francesco's films?

As of October 24, 2026, 2 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Louis De Francesco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 11 with a MovieCove page.

  • Scenic Sweden (not in the MovieCove catalog yet)(1947)

    Composer

  • Golden Horses (not in the MovieCove catalog yet)(1946)

    Composer

  • Climbing the Peaks (not in the MovieCove catalog yet)(1943)

    Composer

  • United We Stand (not in the MovieCove catalog yet)(1942)

    Composer

  • The Ramparts We Watch(1940)

    Composer

    Midcredits score: 48th percentile of all films (provisional, few ratings)
  • The Gay Deception(1935)

    Music Director

    Midcredits score: 71st percentile of all films
  • Redheads on Parade (not in the MovieCove catalog yet)(1935)

    Music Director

  • Under Pressure(1935)

    Music Director

    Midcredits score: 49th percentile of all films
  • Caravan (not in the MovieCove catalog yet)(1934)

    Composer · Music Director

  • Music in the Air(1934)

    Music Director

    Midcredits score: 63rd percentile of all films
  • Grand Canary (not in the MovieCove catalog yet)(1934)

    Music Director

  • Change of Heart (not in the MovieCove catalog yet)(1934)

    Music Director

  • Coming Out Party (not in the MovieCove catalog yet)(1934)

    Music Director

  • David Harum (not in the MovieCove catalog yet)(1934)

    Music Director

  • The World Moves On(1934)

    Composer

    Midcredits score: 39th percentile of all films
  • I Am Suzanne! (not in the MovieCove catalog yet)(1933)

    Composer

  • Mr. Skitch(1933)

    Composer

    Midcredits score: 38th percentile of all films
  • Hoopla(1933)

    Composer · Music Director

    Midcredits score: 66th percentile of all films
  • The Power and the Glory (not in the MovieCove catalog yet)(1933)

    Composer

  • Berkeley Square (not in the MovieCove catalog yet)(1933)

    Composer · Music Director

  • Shanghai Madness (not in the MovieCove catalog yet)(1933)

    Composer

  • The Warrior's Husband (not in the MovieCove catalog yet)(1933)

    Composer

  • Zoo in Budapest (not in the MovieCove catalog yet)(1933)

    Composer

  • Pleasure Cruise (not in the MovieCove catalog yet)(1933)

    Music Director

  • State Fair(1933)

    Composer · Music Director

    Midcredits score: 66th percentile of all films
  • Cavalcade(1933)

    Composer · Music Director

    Midcredits score: 30th percentile of all films
  • Face in the Sky (not in the MovieCove catalog yet)(1933)

    Music Director

  • Call Her Savage (not in the MovieCove catalog yet)(1932)

    Music Director

  • Wild Girl (not in the MovieCove catalog yet)(1932)

    Music Director

  • 6 Hours to Live (not in the MovieCove catalog yet)(1932)

    Music Director

  • Chandu the Magician (not in the MovieCove catalog yet)(1932)

    Composer

  • Pardon Us(1931)

    Composer

    Midcredits score: 73rd percentile of all films
  • Waterfront (not in the MovieCove catalog yet)(1928)

    Conductor

  • The Wedding March(1928)

    Composer

    Midcredits score: 86th percentile of all films

Career shape

A full career of 31 titles from 1928 to 1947.

By role

only this rolewith another role
Music17 of 31: 12 only music, 5 with another role · typical Midcredits score66thOther crew19 of 31: 14 only other crew, 5 with another role · typical Midcredits score65th

31 titles, 5 with more than one role — other crew and music overlap on 5 of them.

By decade

1920s1 · crew1930s26 · crew1940s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Louis De Francesco's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 11; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 7

Approval · how many liked their films

35thpercentile
Typical film, the median of 7

Reach · how many have seen their films

36thpercentile
Typical film, the median of 7

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th5

Shape of the crowd

5 of their 11 titles are Crowd Pleasers.

  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed4

Reviewers score the sound and music 57/100 in their films, across 3 reviewed titles; fans 63, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Louis De Francesco work with?

People who share at least 2 of Louis De Francesco's MovieCove titles, grouped by what they did on them; Peter Brunelli shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles