
Dan Dailey
Actor · Died October 16, 1978, aged 62 · New York, New York, USA
Daniel James Dailey Jr. was an American dancer and actor. Description above from the Wikipedia article Dan Dailey, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Biography from TMDB.
- December 14, 1915
- October 16, 1978 (aged 62)
- New York, New York, USA
- Actor
- 32 on MovieCove · 67 credits in all
What are Dan Dailey's films like?
Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 23
Light 18 · Serious 5 · Dark 1
A split, not a type: Grounded 15 · Stylized 9 · Heightened 0
Gentle 14 · Charged 10 · Intense 0
Steady 15 · Shifting 9 · Whiplash 0
Straight-faced 6 · Some laughs 10 · Funny 8
Slow burn 15 · Even-paced 9 · Relentless 0
Casual 23 · Engaged 1 · Full focus 0
Easy watch 17 · Affecting 7 · Heavy 0
Resolved 21 · Open-ended 2 · Ambiguous 1
Roles they play
Usually the Hero: 6 of 19 analyzed roles.
Show the 19 rolesHide the roles
- Allyas Bob Strong in Hullabaloo (1940)
- Shapeshifteras Potential love interest in Panama Hattie (1942)
- Heroas Tim O'Connor in You're My Everything (1949)
- Heroas Johnny Behind-the-Deuces in A Ticket to Tomahawk (1950)
- Heroas William 'Bill' Kluggs in When Willie Comes Marching Home (1950)
- Heroas Dizzy Dean in The Pride of St. Louis (1952)
- Tricksteras 1st Sgt. Quirt in What Price Glory (1952)
- Heroas Bill Carter in The Girl Next Door (1953)
- Mentoras Coop in The Kid from Left Field (1953)
- Allyas Terry Donahue in There's No Business Like Show Business (1954)
- Allyas Doug Hallerton in It's Always Fair Weather (1955)
- Allyas Ernest Horton in The Wayward Bus (1957)
- Mentoras 'Jughead' Carson in The Wings of Eagles (1957)
- Mentoras Ted Holt in Pepe (1960)
- Threshold guardianas Ted Holt in Pepe (1960)
- Mentoras Billy Campbell in Hemingway's Adventures of a Young Man (1962)
- Threshold guardianas Paul Greher in Mr. and Mrs. Bo Jo Jones (1971)
- Heroas Joshua Cabe in The Daughters of Joshua Cabe Return (1975)
- Allyas Clyde Tolson in The Private Files of J. Edgar Hoover (1977)
Moods and endings
- Happy15
- Bittersweet8
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dan Dailey's films?
As of October 24, 2026, 8 of their 32 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Dan Dailey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
67 credits, 32 with a MovieCove page; 10 appearances as themselves are hidden until asked for.
Marilyn Monroe: In The Movies (not in the MovieCove catalog yet)(2012)
Battleground (not in the MovieCove catalog yet)(2004)

That's Dancing!(1985)
Midcredits score: 82nd percentile of all films
Midcredits score: 44th percentile of all films
Testimony of Two Men (not in the MovieCove catalog yet)(1977)
Midcredits score: 86th percentile of all films
Midcredits score: 62nd percentile of all films (provisional, few ratings)
Faraday and Company (not in the MovieCove catalog yet)(1973)
Midcredits score: 71st percentile of all films (provisional, few ratings)
Mr. and Mrs. Bo Jo Jones(1971)
Midcredits score: 66th percentile of all films
The Odd Couple(1970)
Midcredits score: 87th percentile of all shows
Here's Lucy (not in the MovieCove catalog yet)(1968)
Vacation Playhouse (not in the MovieCove catalog yet)(1963)

Marilyn (not in the MovieCove catalog yet)(1963)
Four Nights of the Full Moon (not in the MovieCove catalog yet)(1963)
Midcredits score: 97th percentile of all shows
Midcredits score: 49th percentile of all films
Pepe(1960)
Midcredits score: 35th percentile of all films
The Four Just Men (not in the MovieCove catalog yet)(1959)
Underwater Warrior (not in the MovieCove catalog yet)(1958)

The Wayward Bus(1957)
Midcredits score: 59th percentile of all films
Oh, Men! Oh, Women!(1957)
Midcredits score: 10th percentile of all films
The Wings of Eagles(1957)
Midcredits score: 70th percentile of all films
The Growler Story (not in the MovieCove catalog yet)(1957)

The Best Things in Life Are Free (not in the MovieCove catalog yet)(1956)

Meet Me in Las Vegas(1956)
Midcredits score: 45th percentile of all films
Paris in the Springtime (not in the MovieCove catalog yet)(1956)

It's Always Fair Weather(1955)
Midcredits score: 84th percentile of all films
Midcredits score: 58th percentile of all films
The Kid from Left Field(1953)
Midcredits score: 56th percentile of all films
The Girl Next Door(1953)
Midcredits score: 36th percentile of all films
General Electric Theater (not in the MovieCove catalog yet)(1953)

Taxi (not in the MovieCove catalog yet)(1953)

Meet Me at the Fair (not in the MovieCove catalog yet)(1953)

What Price Glory(1952)
Midcredits score: 48th percentile of all films
The Pride of St. Louis(1952)
Midcredits score: 62nd percentile of all films
I Can Get It for You Wholesale (not in the MovieCove catalog yet)(1951)

Call Me Mister (not in the MovieCove catalog yet)(1951)

The Jack Benny Program (not in the MovieCove catalog yet)(1950)

My Blue Heaven(1950)
Midcredits score: 46th percentile of all films
A Ticket to Tomahawk(1950)
Midcredits score: 43rd percentile of all films
Midcredits score: 59th percentile of all films
You're My Everything(1949)
Midcredits score: 34th percentile of all films
Chicken Every Sunday (not in the MovieCove catalog yet)(1949)

When My Baby Smiles at Me (not in the MovieCove catalog yet)(1948)

Give My Regards to Broadway (not in the MovieCove catalog yet)(1948)

You Were Meant for Me (not in the MovieCove catalog yet)(1948)

Mother Wore Tights (not in the MovieCove catalog yet)(1947)

This Is the Army(1943)
Midcredits score: 36th percentile of all films
Panama Hattie(1942)
Midcredits score: 40th percentile of all films
Give Out, Sisters (not in the MovieCove catalog yet)(1942)

Timber! (not in the MovieCove catalog yet)(1942)

Sunday Punch (not in the MovieCove catalog yet)(1942)

Mokey (not in the MovieCove catalog yet)(1942)

Moon Over Her Shoulder (not in the MovieCove catalog yet)(1941)

Lady Be Good(1941)
Midcredits score: 55th percentile of all films
Down in San Diego (not in the MovieCove catalog yet)(1941)

The Get-Away (not in the MovieCove catalog yet)(1941)

Ziegfeld Girl(1941)
Midcredits score: 69th percentile of all films
Washington Melodrama (not in the MovieCove catalog yet)(1941)

The Wild Man of Borneo(1941)
Midcredits score: 41st percentile of all films
Keeping Company (not in the MovieCove catalog yet)(1940)

Hullabaloo(1940)
Midcredits score: 35th percentile of all films
Dulcy (not in the MovieCove catalog yet)(1940)

The Captain is a Lady (not in the MovieCove catalog yet)(1940)

The Mortal Storm(1940)
Midcredits score: 96th percentile of all films
Susan and God(1940)
Midcredits score: 42nd percentile of all films
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 67 titles from 1940 to 2012.

Biggest box office
There's No Business Like Show Business (1954)

Highest rated
It's Always Fair Weather (1955)

Most popular right now
There's No Business Like Show Business (1954)
Film career
- 1940Screen debut· The Mortal Storm
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Dan Dailey's films land?
Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 30; across their 24 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up6
- 50th to 74th11
- 25th to 49th14
- Below 25th1
Shape of the crowd
14 of their 32 titles are Crowd Pleasers.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser14
- Broadly Agreed6
- Mixed9
Reviewers score the acting 66/100 in their films, across 23 reviewed titles; fans 75, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Dan Dailey work with?
People who share at least 2 of Dan Dailey's MovieCove titles, grouped by what they did on them; John Ford shares the most, 3.
Directors
- John FordShared titles: The Wings of Eagles (1957), What Price Glory (1952), When Willie Comes Marching Home (1950)See all 3 shared titles with John Ford

- Harmon JonesShared titles: The Kid from Left Field (1953), The Pride of St. Louis (1952), A Ticket to Tomahawk (1950)See all 3 shared titles with Harmon Jones
- Richard SaleShared titles: The Girl Next Door (1953), A Ticket to Tomahawk (1950), When Willie Comes Marching Home (1950)See all 3 shared titles with Richard Sale
- Walter LangShared titles: There's No Business Like Show Business (1954), You're My Everything (1949)See all 2 shared titles with Walter Lang

Writers
- Claude BinyonShared titles: Pepe (1960), My Blue Heaven (1950)See all 2 shared titles with Claude Binyon
- Leslie Bush-FeketeShared titles: Pepe (1960), The Girl Next Door (1953)See all 2 shared titles with Leslie Bush-Fekete
- Isobel LennartShared titles: Meet Me in Las Vegas (1956), The Girl Next Door (1953)See all 2 shared titles with Isobel Lennart

- Henry EphronShared titles: There's No Business Like Show Business (1954), What Price Glory (1952)See all 2 shared titles with Henry Ephron
Actors
- Corinne CalvetShared titles: Hemingway's Adventures of a Young Man (1962), What Price Glory (1952), When Willie Comes Marching Home (1950)See all 3 shared titles with Corinne Calvet

- Arthur HunnicuttShared titles: The Daughters of Joshua Cabe Return (1975), A Ticket to Tomahawk (1950)See all 2 shared titles with Arthur Hunnicutt

- Natalie SchaferShared titles: Oh, Men! Oh, Women! (1957), The Girl Next Door (1953)See all 2 shared titles with Natalie Schafer

- Will WrightShared titles: The Wayward Bus (1957), A Ticket to Tomahawk (1950)See all 2 shared titles with Will Wright

Composers, cinematographers and editors
- Robert L. SimpsonShared titles: There's No Business Like Show Business (1954), The Girl Next Door (1953), The Pride of St. Louis (1952)See all 3 shared titles with Robert L. Simpson
- Alfred NewmanShared titles: What Price Glory (1952), When Willie Comes Marching Home (1950), You're My Everything (1949)See all 3 shared titles with Alfred Newman

- Jeff AlexanderShared titles: The Daughters of Joshua Cabe Return (1975), The Wings of Eagles (1957)See all 2 shared titles with Jeff Alexander
- Joseph MacDonaldShared titles: Pepe (1960), What Price Glory (1952)See all 2 shared titles with Joseph MacDonald

Producers
- Arthur FreedShared titles: It's Always Fair Weather (1955), Panama Hattie (1942), Lady Be Good (1941)See all 3 shared titles with Arthur Freed

- Sol C. SiegelShared titles: There's No Business Like Show Business (1954), What Price Glory (1952), My Blue Heaven (1950)See all 3 shared titles with Sol C. Siegel

- Robert BasslerShared titles: The Girl Next Door (1953), A Ticket to Tomahawk (1950)See all 2 shared titles with Robert Bassler
- Darryl F. ZanuckShared titles: A Ticket to Tomahawk (1950), You're My Everything (1949)See all 2 shared titles with Darryl F. Zanuck






