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MovieCove

Gary Daigler

Producer

Works as
Producer
Titles
8 on MovieCove

What are Gary Daigler's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 2 · Dark 4

Grounded 5 · Stylized 3 · Heightened 0

Gentle 2 · Charged 3 · Intense 3

Steady 3 · Shifting 4 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 1

Slow burn 2 · Even-paced 6 · Relentless 0

Casual 3 · Engaged 5 · Full focus 0

Resolved 5 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
3
Bittersweet
2
Hopeful
3
Dread
2
Other
7

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gary Daigler's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Gary Daigler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

  • The Pentagon Wars(1998)

    Producer

    Midcredits score: 83rd percentile of all films
  • Diabolique(1996)

    Producer

    Midcredits score: 25th percentile of all films
  • Wild Bill(1995)

    Producer

    Midcredits score: 31st percentile of all films
  • Clean Slate(1994)

    Producer

    Midcredits score: 30th percentile of all films
  • Late for Dinner(1991)

    Producer

    Midcredits score: 60th percentile of all films
  • Rush(1991)

    Producer

    Midcredits score: 69th percentile of all films
  • Cocoon: The Return(1988)

    Producer

    Midcredits score: 23rd percentile of all films
  • The Dollmaker(1984)

    Producer

    Midcredits score: 90th percentile of all films

Career shape

Across their 8 MovieCove titles from 1984 to 1998.

By role

only this rolewith another role
Producing8 of 8: 8 only producing, 0 with another role · typical Midcredits score46th

By decade

1980s2 · crew1990s6 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Gary Daigler's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 8

Approval · how many liked their films

44thpercentile
Typical film, the median of 8

Reach · how many have seen their films

84thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Gary Daigler's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 44 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Gary Daigler work with?

People who share at least 2 of Gary Daigler's MovieCove titles, grouped by what they did on them; Richard D. Zanuck shares the most, 4.

Directors

Writers

Editors

Producers

Mixed roles