Sarah Curtis
- Producer
- 14 on MovieCove · 18 credits in all
What are Sarah Curtis' films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
Light 3 · Serious 6 · Dark 2
Grounded 4 · Stylized 7 · Heightened 0
Gentle 3 · Charged 5 · Intense 3
Steady 7 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 3 · Funny 3
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 6 · Full focus 0
Easy watch 3 · Affecting 5 · Heavy 3
Resolved 7 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet5
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sarah Curtis' films?
As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service.
- BritBox
Subscription and free streaming for Sarah Curtis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 14 with a MovieCove page.
Ten Percent(2022)
Midcredits score: 44th percentile of all shows
Ophelia(2018)
Midcredits score: 70th percentile of all films
The Woman in White(2018)
Midcredits score: 34th percentile of all shows
Fleming(2014)
Midcredits score: 59th percentile of all shows
The Awakening(2011)
Midcredits score: 60th percentile of all films
Hysteria(2011)
Midcredits score: 67th percentile of all films
Run Fatboy Run(2007)
Midcredits score: 59th percentile of all films
On a Clear Day(2005)
Midcredits score: 75th percentile of all films
Charlotte Gray(2001)
Midcredits score: 57th percentile of all films
Mansfield Park(1999)
Midcredits score: 77th percentile of all films
The Governess(1998)
Midcredits score: 47th percentile of all films
Mrs. Brown(1997)
Midcredits score: 87th percentile of all films
Midcredits score: 66th percentile of all films
Backbeat(1994)
Midcredits score: 69th percentile of all films
Bad Behavior (not in the MovieCove catalog yet)(1993)
Tell Me That You Love Me (not in the MovieCove catalog yet)(1991)
News Hounds (not in the MovieCove catalog yet)(1990)
The Yellow Wallpaper (not in the MovieCove catalog yet)(1989)
Career shape
A full career of 18 titles from 1989 to 2022.
Biggest box office
Run Fatboy Run (2007)
Highest rated
Mrs. Brown (1997)
Most popular right now
The Awakening (2011)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Sarah Curtis' films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up3
- 50th to 74th8
- 25th to 49th3
Shape of the crowd
None of their 14 titles divides audiences: 12 are Crowd Pleasers.
- Crowd Pleaser12
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Sarah Curtis' work okay for kids?
Across up to 10 MovieCove titles with content scores, sex & nudity runs heavier than most films and profanity lighter.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Sarah Curtis work with?
People who share at least 2 of Sarah Curtis' MovieCove titles, grouped by what they did on them; Paul Sarony shares the most, 4.
Writers
- Jeremy BrockShared titles: Charlotte Gray (2001), Mrs. Brown (1997)See all 2 shared titles with Jeremy Brock
Actors
- Ian HartShared titles: The Englishman Who Went Up a Hill But Came Down a Mountain (1995), Backbeat (1994)See all 2 shared titles with Ian Hart
Composers, cinematographers and editors
- Stephen WarbeckShared titles: On a Clear Day (2005), Charlotte Gray (2001), Mrs. Brown (1997)See all 3 shared titles with Stephen Warbeck
- Richard GreatrexShared titles: Run Fatboy Run (2007), Mrs. Brown (1997)See all 2 shared titles with Richard Greatrex
- Robin SalesShared titles: On a Clear Day (2005), Mrs. Brown (1997)See all 2 shared titles with Robin Sales
- Martin WalshShared titles: Mansfield Park (1999), Backbeat (1994)See all 2 shared titles with Martin Walsh
Producers
- Paul SaronyShared titles: Fleming (2014), Hysteria (2011), Mrs. Brown (1997), The Englishman Who Went Up a Hill But Came Down a Mountain (1995)See all 4 shared titles with Paul Sarony
- Cathy LordShared titles: Run Fatboy Run (2007), Charlotte Gray (2001), Mansfield Park (1999), The Governess (1998)See all 4 shared titles with Cathy Lord
- David M. ThompsonShared titles: The Woman in White (2018), The Awakening (2011), Mansfield Park (1999)See all 3 shared titles with David M. Thompson
- Douglas RaeShared titles: Fleming (2014), Charlotte Gray (2001), Mrs. Brown (1997)See all 3 shared titles with Douglas Rae