Jim Cruickshank

What are Jim Cruickshank's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim Cruickshank's films?

As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

• Disney+5 titles, browse their movies on this service
  • Father of the Bride (1991) · producer
  • Three Men and a Baby (1987) · writer
  • Father of the Bride Part II (1995) · producer
  • Sister Act 2: Back in the Habit (1993) · writer
  • Man of the House (1995) · writer
• Prime Video3 titles, browse their movies on this service
  • Three Men and a Baby (1987) · writer
  • Tough Guys (1986) · writer
  • Christmas in Wonderland (2006) · writer
• Pluto TV1 title, browse their movies on this service
  • It Takes Two (1995) · producer · free

Subscription and free streaming for Jim Cruickshank's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 13 with a MovieCove page.

• 

  My Future Boyfriend (not in the MovieCove catalog yet)(2011)

  Writer
• 

  The Night Before the Night Before Christmas(2010)

  Executive Producer · Writer

  Midcredits score: 29th percentile of all films29^th
• 

  Christmas in Wonderland(2006)

  Writer

  Midcredits score: 17th percentile of all films17^th
• 

  Blowing Smoke(2004)

  Writer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Father of the Bride Part II(1995)

  Co-Executive Producer

  Midcredits score: 48th percentile of all films48^th
• 

  It Takes Two(1995)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Man of the House(1995)

  Screenplay

  Midcredits score: 23rd percentile of all films23^rd
• 

  Love on the Run(1994)

  Writer

  Midcredits score: 28th percentile of all films (provisional, few ratings)~28^th
• 

  Sister Act 2: Back in the Habit(1993)

  Screenplay

  Midcredits score: 44th percentile of all films44^th
• 

  Father of the Bride(1991)

  Executive Producer

  Midcredits score: 66th percentile of all films66^th
• 

  Mr. Destiny(1990)

  Producer · Screenplay

  Midcredits score: 53rd percentile of all films53^rd
• 

  14 Going on 30(1988)

  Producer · Writer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Three Men and a Baby(1987)

  Screenplay

  Midcredits score: 49th percentile of all films49^th
• 

  Young Harry Houdini (not in the MovieCove catalog yet)(1987)

  Writer
• 

  Tough Guys(1986)

  Screenplay

  Midcredits score: 49th percentile of all films49^th
• 

  The Wonderful World of Disney (not in the MovieCove catalog yet)(1954)

  Show 773 episodes · Producer

Career shape

A full career of 16 titles from 1954 to 2011.

Biggest box office

Three Men and a Baby (1987)

$168M worldwide

Highest rated

Father of the Bride (1991)

Midcredits 66^th

Most popular right now

It Takes Two (1995)

How do Jim Cruickshank's films land?

Their typical MovieCove film has a Midcredits score in the 48^th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 49^th percentile for acclaim.

Shape of the crowd

5 of their 13 titles are Crowd Pleasers.

525

• Divisive1
• Crowd Pleaser5
• Broadly Agreed2
• Mixed5

Most divisive · writer

Blowing Smoke (2004)

94^th percentile spread · 41% rated it 4 or lower

Most loved · producer

Father of the Bride (1991)

Midcredits 66^th · 57% liked

Reviewers score the dialogue 45/100 and the plot and story 38/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jim Cruickshank's work okay for kids?

Across up to 6 MovieCove titles with content scores, violence & gore and frightening / intense run lighter than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jim Cruickshank work with?

People who share at least 2 of Jim Cruickshank's MovieCove titles, grouped by what they did on them; James Orr shares the most, 13.