From Wikipedia, the free encyclopedia. C. Jay Cox (born 1962 in Nevada) is an American director and screenwriter. Description above from the Wikipedia article C. Jay Cox, licensed under CC-BY-SA, full list of contributors on Wikipedia
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Biography from TMDB.
- January 1, 1962 (64)
- Writer, director, actor and producer
- 11 on MovieCove · 14 credits in all
What are C. Jay Cox's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 9 · Serious 0 · Dark 1
Grounded 7 · Stylized 3 · Heightened 0
A split, not a type: Gentle 6 · Charged 4 · Intense 0
Steady 7 · Shifting 3 · Whiplash 0
Straight-faced 0 · Some laughs 7 · Funny 3
Slow burn 4 · Even-paced 6 · Relentless 0
Casual 6 · Engaged 4 · Full focus 0
Easy watch 7 · Affecting 2 · Heavy 1
Resolved 7 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch C. Jay Cox's films?
As of October 24, 2026, 10 of their 11 MovieCove titles stream on a subscription or free service, most on Hallmark+ (5).
Subscription and free streaming for C. Jay Cox's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 11 with a MovieCove page.

The Royal We(2025)
Midcredits score: 64th percentile of all films
Midcredits score: 65th percentile of all films
Rip in Time(2022)
Midcredits score: 70th percentile of all films
Love Strikes Twice(2021)
Midcredits score: 74th percentile of all films
The Makeover(2013)
Midcredits score: 35th percentile of all filmsTo the Mat (not in the MovieCove catalog yet)(2011)

New in Town(2009)
Midcredits score: 26th percentile of all films
Kiss the Bride(2007)
Midcredits score: 36th percentile of all films
Making of 'Latter Days' (not in the MovieCove catalog yet)(2004)

Latter Days(2003)
Midcredits score: 79th percentile of all films
Sweet Home Alabama(2002)
Midcredits score: 49th percentile of all films
Reason Thirteen (not in the MovieCove catalog yet)(1998)

Nightmare Sisters(1988)
Midcredits score: 20th percentile of all films
Midcredits score: 33rd percentile of all films
Career shape
A full career of 14 titles from 1987 to 2025.

Biggest box office
Sweet Home Alabama (2002)

Highest rated
Latter Days (2003)

Most popular right now
Sweet Home Alabama (2002)
Film career
- 1987Screen debut· From a Whisper to a Scream
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do C. Jay Cox's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th5
- Below 25th1
Shape of the crowd
6 of their 11 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser6
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 55/100 and the plot and story 49/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is C. Jay Cox's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does C. Jay Cox work with?
People who share at least 2 of C. Jay Cox's MovieCove titles, grouped by what they did on them; Torrey DeVitto shares the most, 2.
Actors
- Torrey DeVittoShared titles: 'Twas the Night Before Christmas (2022), Rip in Time (2022)See all 2 shared titles with Torrey DeVitto

- Amber BensonShared titles: Kiss the Bride (2007), Latter Days (2003)See all 2 shared titles with Amber Benson

- Steve SandvossShared titles: Kiss the Bride (2007), Latter Days (2003)See all 2 shared titles with Steve Sandvoss

- Mary Kay PlaceShared titles: Latter Days (2003), Sweet Home Alabama (2002)See all 2 shared titles with Mary Kay Place

Cinematographers and editors
- Carl BartelsShared titles: Kiss the Bride (2007), Latter Days (2003)See all 2 shared titles with Carl Bartels
- John KeitelShared titles: Kiss the Bride (2007), Latter Days (2003)See all 2 shared titles with John Keitel




