Anne-Marie Cotret

What are Anne-Marie Cotret's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne-Marie Cotret's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (7).

• The Criterion Channel7 titles, browse their movies on this service
  • The Umbrellas of Cherbourg (1964) · editor
  • Lola (1961) · editor
  • Bay of Angels (1963) · editor
  • Donkey Skin (1970) · editor
  • The Young Girls Turn 25 (1993) · editor
  • Who Are You, Polly Maggoo? (1966) · editor
  • A Slightly Pregnant Man (1973) · editor
• HBO Max1 title, browse their movies on this service
  • The Umbrellas of Cherbourg (1964) · editor
• Pluto TV1 title, browse their movies on this service
  • The Umbrellas of Cherbourg (1964) · editor · free
• Tubi1 title, browse their movies on this service
  • The Umbrellas of Cherbourg (1964) · editor · free

Subscription and free streaming for Anne-Marie Cotret's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 11 with a MovieCove page.

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  The Young Girls Turn 25(1993)

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  Midcredits score: 80th percentile of all films80^th
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  Liberté, égalité, choucroute (not in the MovieCove catalog yet)(1985)

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  Break of Day (not in the MovieCove catalog yet)(1980)

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  I've Got You, You've Got Me by the Chin Hairs(1979)

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  Midcredits score: 12th percentile of all films12^th
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  Like a Pot of Strawberries (not in the MovieCove catalog yet)(1974)

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  A Slightly Pregnant Man(1973)

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  Midcredits score: 39th percentile of all films39^th
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  Moi y'en a vouloir des sous (not in the MovieCove catalog yet)(1973)

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  Everybody He Is Nice, Everybody He Is Beautiful (not in the MovieCove catalog yet)(1972)

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  Donkey Skin(1970)

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  Midcredits score: 87th percentile of all films87^th
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  Mr. Freedom (not in the MovieCove catalog yet)(1969)

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  The Vixen(1969)

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  Midcredits score: 23rd percentile of all films23^rd
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  Manon 70(1968)

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  Midcredits score: 33rd percentile of all films33^rd
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  Law of Survival (not in the MovieCove catalog yet)(1967)

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  Who Are You, Polly Maggoo?(1966)

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  Midcredits score: 76th percentile of all films76^th
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  The Umbrellas of Cherbourg(1964)

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  Midcredits score: 96th percentile of all films96^th
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  Bay of Angels(1963)

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  Midcredits score: 88th percentile of all films88^th
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  Sign of the Lion(1962)

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  Midcredits score: 84th percentile of all films84^th
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  Lola(1961)

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  Midcredits score: 92nd percentile of all films92^nd
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  Ars (not in the MovieCove catalog yet)(1960)

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  Le Sabotier du Val de Loire (not in the MovieCove catalog yet)(1956)

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Career shape

A full career of 17 titles from 1956 to 1993.

Biggest box office

The Umbrellas of Cherbourg (1964)

$170K worldwide

Highest rated

The Umbrellas of Cherbourg (1964)

Midcredits 96^th

How do Anne-Marie Cotret's films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 79^th percentile for acclaim.

Shape of the crowd

None of their 11 titles divides audiences: 6 are Crowd Pleasers.

63

• Universally Loved1
• Crowd Pleaser6
• Broadly Agreed1
• Mixed3

Most loved · editor

The Umbrellas of Cherbourg (1964)

Midcredits 96^th · 82% liked

Reviewers score the pacing 44/100 in their films, across 9 reviewed titles; fans 53, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anne-Marie Cotret work with?

People who share at least 2 of Anne-Marie Cotret's MovieCove titles, grouped by what they did on them; Michel Legrand shares the most, 6.