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Guy Collins

Guy Collins

Producer · Born December 31, 1964 (61) · Los Angeles, California, USA

Guy joined the film industry in 1976, raising production funding for ‘The Wild Geese’ starring Richard Harris, Richard Burton and Roger Moore. From here Guy raised finance for numerous high-profile independent films, introducing international banks to structured film financing.

Biography from TMDB.

Born
December 31, 1964 (61)
From
Los Angeles, California, USA
Works as
Producer
Titles
39 on MovieCove · 45 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 19% in 30 days

What are Guy Collins' films like?

Across their 38 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Action9 titlesTypical Midcredits score: 14th percentile
: browse their Action movies
Animation8 titlesTypical Midcredits score: 34th percentile
: browse their Animation movies
Crime6 titlesTypical Midcredits score: 41st percentile, at or above their average across these genres
: browse their Crime movies
Drama6 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Drama movies
Adventure4 titlesTypical Midcredits score: 42nd percentile, at or above their average across these genres
: browse their Adventure movies
Comedy3 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
27%
Survival
21%
Morality
19%
Bonds
16%
Power
8%
Society
5%
Ideas
4%
Survival10 titles, browse their movies with this themeFamily bonds9 titles, browse their movies with this themePurpose7 titles, browse their movies with this themeIdentity7 titles, browse their movies with this themeDeception7 titles, browse their movies with this themeJustice6 titles, browse their movies with this themeSelf-worth4 titles, browse their movies with this themeCommunity4 titles, browse their movies with this theme

What they feel like to watch

their average across 38 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 16 · Serious 6 · Dark 16

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 13 · Stylized 24 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 10 · Charged 9 · Intense 19

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 17 · Shifting 16 · Whiplash 5

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 23 · Some laughs 9 · Funny 6

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 12 · Even-paced 24 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 18 · Engaged 18 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 17 · Affecting 11 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 27 · Open-ended 10 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
22
Melancholic
14
Dread
11
Thrilling
11
Joyful
8
Other
33

How their films linger

Feel-good10 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteBittersweet11 titles, browse their movies with this aftertasteHopeful10 titles, browse their movies with this aftertasteThought-provoking8 titles, browse their movies with this aftertasteUnsettling8 titles, browse their movies with this aftertaste

How their films end · 7 with a twist

  • Happy14
  • Bittersweet15
  • Tragic3
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Guy Collins' films?

As of October 24, 2026, 22 of their 39 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Also on these channels

Subscription and free streaming for Guy Collins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

45 credits, 39 with a MovieCove page.

  • Stitch Head(2025)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Sneaks(2025)

    Producer

    Midcredits score: 10th percentile of all films

  • 10 Lives(2024)

    Producer

    Midcredits score: 58th percentile of all films

  • A Greyhound of a Girl(2023)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • Paws of Fury: The Legend of Hank(2022)

    Producer

    Midcredits score: 33rd percentile of all films

  • The Ledge(2022)

    Executive Producer

    Midcredits score: 17th percentile of all films

  • All the Devil's Men(2018)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • The Last Witness(2018)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • Duck Duck Goose(2018)

    Executive Producer

    Midcredits score: 37th percentile of all films

  • A Wizard's Tale(2018)

    Producer

    Midcredits score: 23rd percentile of all films

  • Stratton(2017)

    Producer

    Midcredits score: 8th percentile of all films

  • Eat Locals(2017)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Cracks(2009)

    Executive Producer

    Midcredits score: 66th percentile of all films

  • Planet 51(2009)

    Producer

    Midcredits score: 34th percentile of all films

  • Fifty Dead Men Walking(2008)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • Tales of the Riverbank(2008)

    Producer

    Midcredits score: 24th percentile of all films

  • The Stone Angel(2007)

    Executive Producer

    Midcredits score: 45th percentile of all films

  • Highlander: The Source(2007)

    Producer

    Midcredits score: 1st percentile of all films

  • Joy Division(2006)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • Silence Becomes You(2005)

    Producer

    Midcredits score: 9th percentile of all films

  • The Feast of the Goat(2005)

    Producer

    Midcredits score: 54th percentile of all films

  • Baltic Storm(2003)

    Executive Producer

    Midcredits score: 6th percentile of all films

  • Carolina(2003)

    Producer

    Midcredits score: 48th percentile of all films

  • Breathtaking (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Secret Society (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Shiner(2000)

    Co-Executive Producer

    Midcredits score: 36th percentile of all films

  • Best (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Nora (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • To Walk with Lions(1999)

    Producer

    Midcredits score: 59th percentile of all films

  • Alice Through the Looking Glass(1998)

    Executive Producer

    Midcredits score: 34th percentile of all films

  • Clockwatchers(1997)

    Co-Executive Producer

    Midcredits score: 68th percentile of all films

  • No Way Home(1996)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Bring Me the Head of Mavis Davis(1997)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Driftwood (not in the MovieCove catalog yet)(1997)

    Executive Producer

  • Space Truckers(1996)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Highlander: The Final Dimension(1994)

    Executive Producer

    Midcredits score: 6th percentile of all films

  • Knight Moves(1992)

    Executive Producer

    Midcredits score: 40th percentile of all films

  • Highlander II: The Quickening(1991)

    Producer

    Midcredits score: 5th percentile of all films

  • Cat Chaser(1989)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • Intimate Power(1989)

    Producer

    Midcredits score: 11th percentile of all films

  • King of the Wind(1989)

    Producer

    Midcredits score: 61st percentile of all films

  • Club Life(1986)

    Producer

    Midcredits score: 14th percentile of all films

  • Lorca and the Outlaws(1984)

    Executive Producer

    Midcredits score: 3rd percentile of all films

  • The Osterman Weekend(1983)

    Executive Producer

    Midcredits score: 33rd percentile of all films

  • Humbugged (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 33 titles, 32 of them dated from 1983 to 2025.

Biggest box office

Planet 51 (2009)

$106M worldwide

Highest rated

Fifty Dead Men Walking (2008)

Midcredits 72nd

Most popular right now

Duck Duck Goose (2018)

By role

only this rolewith another role
Producing33 of 33: 33 only producing, 0 with another role · typical Midcredits score34th

By decade

1980s3 · crew1990s8 · crew2000s11 · crew2010s5 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Guy Collins' films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 39; across their 38 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 38

Approval · how many liked their films

34thpercentile
Typical film, the median of 38

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 38

Midcredits score across 39 titles, by percentile

  • 50th to 74th10
  • 25th to 49th14
  • Below 25th15

Shape of the crowd

26 of their 39 titles are Mixed.

  • Universally Panned1
  • Crowd Pleaser8
  • Broadly Agreed4
  • Mixed26

Most divisive · producer

Sneaks (2025)

89th percentile spread · 61% rated it 4 or lower

Most loved · producer

Fifty Dead Men Walking (2008)

Midcredits 72nd · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Guy Collins' work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles36–83 · median 69 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles20–71 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity7 titles19–77 · median 51 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles13–48 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles32–78 · median 48 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Guy Collins work with?

People who share at least 2 of Guy Collins' MovieCove titles, grouped by what they did on them; Michael Ryan shares the most, 15.

Directors

Writers

Actors

Composers and editors

Producers