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Michael Colleary

Michael Colleary

Writer and producer

​From Wikipedia, the free encyclopedia.   Michael Colleary is an American screenwriter, film producer and television writer. His writing credits include Face/Off, Firehouse Dog, The New Alfred Hitchcock Presents and the story for Lara Croft: Tomb Raider. He is a frequent collaborator with Mike Werb in which they won a Saturn Award for their work on Face/Off. Colleary most recently wrote for the Cartoon Network live-action series Unnatural History. Description above from the Wikipedia article Michael Colleary, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Writer and producer
Titles
6 on MovieCove · 9 credits in all
TMDB popularity, last 37 days to Oct 26Down 39% in 30 days

What are Michael Colleary's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 1 · Heightened 2

Gentle 1 · Charged 0 · Intense 4

Steady 1 · Shifting 3 · Whiplash 1

Straight-faced 4 · Some laughs 0 · Funny 1

A split, not a type: Slow burn 0 · Even-paced 3 · Relentless 2

Casual 2 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
4
Melancholic
3
Dread
1
Joyful
1
Other
4

How their films end · 2 with a twist

  • Happy2
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Colleary's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Michael Colleary's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 6 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Professionals(2020)

    Show 10 episodes · Executive Producer · Teleplay · Writer

    Midcredits score: 16th percentile of all shows
  • Unnatural History (not in the MovieCove catalog yet)(2010)

    Show 2 episodes · Teleplay · Writer

  • Firehouse Dog(2007)

    Producer · Writer

    Midcredits score: 37th percentile of all films
  • Midcredits score: 31st percentile of all films
  • Face/Off(1997)

    Co-Producer · Writer

    Midcredits score: 89th percentile of all films
  • Things That Go Bump (not in the MovieCove catalog yet)(1997)

    Writer

  • Midcredits score: 10th percentile of all films
  • Midcredits score: 14th percentile of all films
  • The New Alfred Hitchcock Presents (not in the MovieCove catalog yet)(1985)

    Show 3 episodes · Writer

Career shape

A full career of 9 titles from 1985 to 2020.

By role

only this rolewith another role
Writing9 of 9: 6 only writing, 3 with another role · typical Midcredits score24thProducing3 of 9: 0 only producing, 3 with another role

9 titles, 3 with more than one role — writing and producing overlap on 3 of them.

By decade

1980s1 · crew1990s4 · crew2000s2 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Michael Colleary's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 5

Approval · how many liked their films

29thpercentile
Typical film, the median of 5

Reach · how many have seen their films

87thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th3

Reviewers score the dialogue 35/100 and the plot and story 34/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael Colleary's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 87 · severeMedian of all films: 44
Sex & Nudity3 titlesmedian 47 · moderateMedian of all films: 32
Profanity3 titlesmedian 67 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 33 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 73 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Michael Colleary work with?

People who share at least 2 of Michael Colleary's MovieCove titles; Mike Werb shares the most, 4.