Stuart Cohen

What are Stuart Cohen's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stuart Cohen's films?

As of October 24, 2026, 1 of their 10 MovieCove titles stream on a subscription or free service.

• AMC+1 title, browse their movies on this service
  • The Thing (1982) · producer
• Prime Video1 title, browse their movies on this service
  • The Thing (1982) · producer

Subscription and free streaming for Stuart Cohen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Kojak: Flowers for Matty(1990)

  Producer

  Midcredits score: 60th percentile of all films60^th
• 

  Kojak: None So Blind(1990)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Kojak: The Price of Justice(1987)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Obsessed with a Married Woman(1985)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Single Bars, Single Women(1984)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  Sins of the Past(1984)

  Producer

  Midcredits score: 31st percentile of all films31^st
• 

  The Thing(1982)

  Producer

  Midcredits score: 99th percentile of all films99^th
• 

  Gangster Wars(1981)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Mallory: Circumstantial Evidence(1976)

  Producer

  Midcredits score: 84th percentile of all films (provisional, few ratings)~84^th
• 

  Sarah T. - Portrait of a Teenage Alcoholic(1975)

  Producer

  Midcredits score: 58th percentile of all films58^th

Career shape

Across their 10 MovieCove titles from 1975 to 1990.

Biggest box office

The Thing (1982)

$21M worldwide

Highest rated

The Thing (1982)

Midcredits 99^th

How do Stuart Cohen's films land?

Their typical MovieCove film has a Midcredits score in the 59^th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 54^th percentile for acclaim.

Shape of the crowd

3 of their 10 titles are Cult Classics.

333

• Universally Loved1
• Cult Classic3
• Crowd Pleaser3
• Mixed3

Most divisive · producer

Mallory: Circumstantial Evidence (1976)

81^st percentile spread · 21% rated it 4 or lower

Most loved · producer

The Thing (1982)

Midcredits 99^th · 90% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Stuart Cohen work with?

People who share at least 2 of Stuart Cohen's MovieCove titles, grouped by what they did on them; James Duff McAdams shares the most, 4.