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MovieCove

Harry Clork

Writer

Works as
Writer
Titles
10 on MovieCove · 35 credits in all
TMDB popularity, last 37 days to Oct 26Down 43% in 30 days

What are Harry Clork's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 8 · Serious 1 · Dark 0

A split, not a type: Grounded 5 · Stylized 4 · Heightened 0

Gentle 7 · Charged 2 · Intense 0

Steady 8 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 5 · Funny 3

Slow burn 4 · Even-paced 4 · Relentless 1

Casual 8 · Engaged 1 · Full focus 0

Resolved 9 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Tense
2
Romantic
3
Absurd
2
Warm
2
Other
7

How their films end · 2 with a twist

  • Happy9

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harry Clork's films?

As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Harry Clork's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 10 with a MovieCove page.

  • Ma and Pa Kettle at Waikiki (not in the MovieCove catalog yet)(1955)

    Screenplay

  • Midcredits score: 25th percentile of all films
  • The Beulah Show (not in the MovieCove catalog yet)(1950)

    Show 1 episode · Writer

  • Tea for Two(1950)

    Screenplay

    Midcredits score: 60th percentile of all films
  • The Sainted Sisters (not in the MovieCove catalog yet)(1948)

    Screenplay

  • The Mighty McGurk (not in the MovieCove catalog yet)(1947)

    Screenplay

  • The Thrill of Brazil (not in the MovieCove catalog yet)(1946)

    Screenplay

  • The Kid from Brooklyn(1946)

    Theatre Play

    Midcredits score: 64th percentile of all films
  • See My Lawyer (not in the MovieCove catalog yet)(1945)

    Writer

  • Maisie Goes to Reno(1944)

    Additional Writing · Writer

    Midcredits score: 46th percentile of all films
  • Broadway Rhythm (not in the MovieCove catalog yet)(1944)

    Screenplay

  • Ship Ahoy(1942)

    Screenplay

    Midcredits score: 57th percentile of all films
  • Born to Sing (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Whistling in the Dark(1941)

    Screenplay

    Midcredits score: 69th percentile of all films
  • Down in San Diego (not in the MovieCove catalog yet)(1941)

    Screenplay

  • The Reluctant Dragon(1941)

    Screenplay

    Midcredits score: 67th percentile of all films
  • Las Vegas Nights (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Moon Over Burma (not in the MovieCove catalog yet)(1940)

    Writer

  • La Conga Nights (not in the MovieCove catalog yet)(1940)

    Screenplay

  • And One Was Beautiful(1940)

    Screenplay

    Midcredits score: 54th percentile of all films
  • Laugh It Off (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Flirting with Fate (not in the MovieCove catalog yet)(1938)

    Screenplay

  • New Faces of 1937 (not in the MovieCove catalog yet)(1937)

    Adaptation

  • Oh, Doctor (not in the MovieCove catalog yet)(1937)

    Screenplay

  • When's Your Birthday?(1937)

    Screenplay

    Midcredits score: 18th percentile of all films
  • Flying Hostess (not in the MovieCove catalog yet)(1936)

    Writer

  • The Man I Marry (not in the MovieCove catalog yet)(1936)

    Writer

  • Absolute Quiet (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Love Before Breakfast (not in the MovieCove catalog yet)(1936)

    Writer

  • The Milky Way(1936)

    Writer

    Midcredits score: 61st percentile of all films
  • Remember Last Night? (not in the MovieCove catalog yet)(1935)

    Screenplay

  • His Night Out (not in the MovieCove catalog yet)(1935)

    Screenplay

  • King Solomon of Broadway (not in the MovieCove catalog yet)(1935)

    Writer

  • Diamond Jim (not in the MovieCove catalog yet)(1935)

    Adaptation

  • Princess O'Hara (not in the MovieCove catalog yet)(1935)

    Screenplay

Career shape

A full career of 34 titles from 1935 to 1955.

By role

only this rolewith another role
Writing33 of 34: 33 only writing, 0 with another role · typical Midcredits score59thOther crew1 of 34: 1 only other crew, 0 with another role

By decade

1930s14 · crew1940s16 · crew1950s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Harry Clork's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 9

Approval · how many liked their films

59thpercentile
Typical film, the median of 9

Reach · how many have seen their films

34thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 50th to 74th7
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 7 are Crowd Pleasers.

  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed1

Reviewers score the dialogue 52/100 and the plot and story 39/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Harry Clork work with?

People who share at least 2 of Harry Clork's MovieCove titles, grouped by what they did on them; David Butler shares the most, 2.

Directors

Actors

Composers, cinematographers and editors

Producers