Leon Chooluck

What are Leon Chooluck's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Leon Chooluck's films?

As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.

• Pluto TV1 title, browse their movies on this service
  • Day of the Outlaw (1959) · producer · free
• Tubi1 title, browse their movies on this service
  • Day of the Outlaw (1959) · producer · free

Subscription and free streaming for Leon Chooluck's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Take a Hard Ride(1975)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Three the Hard Way(1974)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  The Rise and Fall of Legs Diamond(1960)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Day of the Outlaw(1959)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Murder by Contract(1958)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  The Fearmakers(1958)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Plunder Road(1957)

  Producer

  Midcredits score: 76th percentile of all films76^th

Career shape

Across their 7 MovieCove titles from 1957 to 1975.

Highest rated

Day of the Outlaw (1959)

Midcredits 89^th

Most popular right now

Take a Hard Ride (1975)

How do Leon Chooluck's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 70^th percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

511

• Crowd Pleaser5
• Broadly Agreed1
• Mixed1

Most loved · producer

Day of the Outlaw (1959)

Midcredits 89^th · 77% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Leon Chooluck work with?

People who share at least 2 of Leon Chooluck's MovieCove titles, grouped by what they did on them; Lucien Ballard shares the most, 3.