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Bernard Chentrier

Cinematographer

Works as
Cinematographer
Titles
3 on MovieCove · 9 credits in all
TMDB popularity, last 37 days to Oct 26Down 44% in 30 days

What are Bernard Chentrier's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
52%
Self
32%
Power
8%
Morality
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 1 · Stylized 2 · Heightened 0

Gentle 1 · Charged 1 · Intense 1

Steady 3 · Shifting 0 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
2
Tense
1
Joyful
1
Melancholic
1
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bernard Chentrier's films?

As of October 24, 2026, none of Bernard Chentrier's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Bernard Chentrier's titles on MovieCove; rent and buy are not counted.

Filmography

9 credits, 3 with a MovieCove page.

  • Lance et compte: Le crime de Lulu (not in the MovieCove catalog yet)(1991)

    Cinematographer

  • Lance et compte: Tous pour un (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • Mindfield(1989)

    Cinematographer

    Midcredits score: 15th percentile of all films
  • Lance et Compte (not in the MovieCove catalog yet)(1986)

    Show 13 episodes · Cinematographer

  • Pousse mais pousse égal(1975)

    Cinematographer

    Midcredits score: 9th percentile of all films (provisional, few ratings)
  • Quelques arpents de neige(1972)

    Cinematographer

    Midcredits score: 58th percentile of all films (provisional, few ratings)
  • Un enfant comme les autres... (not in the MovieCove catalog yet)(1972)

    Cinematographer

  • Red the Half Breed (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • The Rape of a Sweet Young Girl (not in the MovieCove catalog yet)(1968)

    Cinematographer

Career shape

A full career of 9 titles from 1968 to 1991.

By role

only this rolewith another role
Cinematography9 of 9: 9 only cinematography, 0 with another role

By decade

1960s1 · crew1970s4 · crew1980s2 · crew1990s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Bernard Chentrier's films land?

Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 3

Approval · how many liked their films

9thpercentile
Typical film, the median of 3

Reach · how many have seen their films

4thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • Below 25th2

Shape of the crowd

None of their 3 titles divides audiences: 2 are Mixed.

  • Universally Panned1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bernard Chentrier work with?

People who share at least 2 of Bernard Chentrier's MovieCove titles, grouped by what they did on them; Yves Langlois shares the most, 3.

Directors

Editors

Producers