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Juan Luis Buñuel

Juan Luis Buñuel

Actor · Died December 6, 2017, aged 83 · Paris, France

Juan Luis Buñuel (9 November 1934, Paris – 6 December 2017, Paris) was a film and television director, screenwriter, and actor. His films include Expulsion of the Devil (Au rendez-vous de la mort joyeuse, 1973) and La Femme aux bottes rouges (1974). Buñuel was the son of the filmmaker Luis Buñuel. Buñuel's son Diego also became a filmmaker. After his career in film, he tried out sculpting. Source: Article "Juan Luis Buñuel" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
November 9, 1934
Died
December 6, 2017 (aged 83)
From
Paris, France
Works as
Actor
Titles
11 on MovieCove · 27 credits in all
TMDB popularity, last 37 days to Oct 26Up 7% in 30 days

What are Juan Luis Buñuel's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
35%
Self
21%
Power
21%
Society
13%
Ideas
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 0 · Earnest 2

A split, not a type: Light 1 · Serious 2 · Dark 0

Grounded 1 · Stylized 2 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced 1 · Some laughs 1 · Funny 1

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Romantic
1
Tense
1
Warm
1
Manic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Juan Luis Buñuel's films?

As of October 24, 2026, 2 of their 11 MovieCove titles stream on a subscription or free service, on The Criterion Channel (2).

Subscription and free streaming for Juan Luis Buñuel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 11 with a MovieCove page; 7 appearances as themselves are hidden until asked for.

  • A Slice of Buñuel (not in the MovieCove catalog yet)(2014)

    Actor

  • Belle toujours(2006)

    Thanks

    Midcredits score: 54th percentile of all films
  • Les paradoxes de Buñuel (not in the MovieCove catalog yet)(1998)

    Screenplay · as Self

  • The Orinoco Dam (not in the MovieCove catalog yet)(1996)

    Director

  • The Milky Life (not in the MovieCove catalog yet)(1993)

    as Dr. Davis

  • Henry & June(1990)

    as Publisher

    Midcredits score: 54th percentile of all films
  • Haute tension (not in the MovieCove catalog yet)(1988)

    Show 1 episode · Director

  • La rebelión de los colgados (not in the MovieCove catalog yet)(1986)

    Director

  • Softly from Paris (not in the MovieCove catalog yet)(1986)

    Show 1 episode · Director

  • Fantômas (not in the MovieCove catalog yet)(1980)

    Show 4 episodes · Director · Art Direction · Creator

  • Traffic Jam (not in the MovieCove catalog yet)(1979)

    Second Unit Director

  • That Obscure Object of Desire(1977)

    Assistant Director

    Midcredits score: 97th percentile of all films
  • Leonor (not in the MovieCove catalog yet)(1975)

    Director · Writer

  • The Woman with Red Boots (not in the MovieCove catalog yet)(1974)

    Director · Screenplay

  • At the Meeting with Joyous Death (not in the MovieCove catalog yet)(1973)

    Director · Writer

  • Money Money Money(1972)

    as Ernesto Juarez

    Midcredits score: 80th percentile of all films
  • Familiaridades(1969)

    as Dávalos

    Midcredits score: 57th percentile of all films (provisional, few ratings)
  • Calanda (not in the MovieCove catalog yet)(1967)

    Director

  • Guns for San Sebastian(1968)

    Assistant Director

    Midcredits score: 68th percentile of all films
  • The Thief of Paris (not in the MovieCove catalog yet)(1967)

    Assistant Director

  • Viva Maria!(1965)

    Assistant Director

    Midcredits score: 54th percentile of all films
  • Diary of a Chambermaid(1964)

    Assistant Director

    Midcredits score: 90th percentile of all films
  • The Immoral Moment (not in the MovieCove catalog yet)(1962)

    Second Assistant Director

  • Viridiana(1961)

    Assistant Director

    Midcredits score: 97th percentile of all films
  • The French Game (not in the MovieCove catalog yet)(1960)

    Second Assistant Director

  • The Young One(1960)

    Assistant Director

    Midcredits score: 88th percentile of all films
  • Fever Mounts at El Pao(1959)

    Assistant Director

    Midcredits score: 71st percentile of all films

Career shape

A full career of 27 titles from 1959 to 2014.

Film career

  • 1972Screen debut· Money Money Money

By role

only this rolewith another role
Acting5 of 27: 5 only acting, 0 with another roleDirecting9 of 27: 5 only directing, 4 with another roleWriting4 of 27: 1 only writing, 3 with another roleOther crew13 of 27: 12 only other crew, 1 with another role · typical Midcredits score80th

27 titles, 4 with more than one role — other crew and directing overlap on 1 of them.

By decade

1950s1 · crew1960s10 · 1 acting · 9 crew1970s6 · 1 acting · 5 crew1980s4 · crew1990s4 · 2 acting · 2 crew2000s1 · crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Juan Luis Buñuel's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 11; across a limited sample of 3 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 3

Approval · how many liked their films

58thpercentile
Typical film, the median of 3

Reach · how many have seen their films

75thpercentile
Typical film, the median of 3

Midcredits score across 11 titles, by percentile

  • 75th and up5
  • 50th to 74th6

Shape of the crowd

8 of their 11 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser8
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.