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Albert R. Broccoli

Albert R. Broccoli

Producer · Died June 27, 1996, aged 87 · New York City, New York, USA

Oscar winner

Albert Romolo Broccoli, CBE (Hon) (April 5, 1909 – June 27, 1996), nicknamed "Cubby", was an American film producer who made more than 40 motion pictures throughout his career. Most of the films were made in the United Kingdom and they were often filmed at Pinewood Studios. Co-founder of Danjaq, LLC and Eon Productions, Broccoli is most notable as the producer of the James Bond films. He and Harry Saltzman saw the films develop from relatively low-budget origins to large-budget, high-grossing extravaganzas, and Broccoli's heirs continue to produce new Bond films.

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Biography from TMDB.

Born
April 5, 1909
Died
June 27, 1996 (aged 87)
From
New York City, New York, USA
Works as
Producer
Titles
31 on MovieCove · 49 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 155 days to Oct 26Down 16% in 30 days

What are Albert R. Broccoli's films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Action19 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Action movies
Adventure5 titlesTypical Midcredits score: 32nd percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
48%
Bonds
18%
Power
16%
Self
12%
Survival
6%
Society
1%
Justice9 titles, browse their movies with this themePower6 titles, browse their movies with this themeDeception7 titles, browse their movies with this themeLoyalty7 titles, browse their movies with this themeRevenge5 titles, browse their movies with this themeDuty4 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this theme

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 11 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 12 · Heightened 8

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 13 · Intense 13

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 12 · Shifting 14 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 17 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 13 · Relentless 11

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 11 · Engaged 16 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 27 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
22
Tense
17
Romantic
14
Melancholic
4
Absurd
3
Other
12

How their films linger

Fun16 titles, browse their movies with this aftertasteRousing16 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteCathartic2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy22
  • Bittersweet3
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert R. Broccoli's films?

As of October 24, 2026, 16 of their 31 MovieCove titles stream on a subscription or free service, most on Prime Video (15).

Also on these channels

Subscription and free streaming for Albert R. Broccoli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

49 credits, 31 with a MovieCove page; 14 appearances as themselves are hidden until asked for.

  • GoldenEye(1995)

    Presenter · Producer

    Midcredits score: 87th percentile of all films

  • Licence to Kill(1989)

    Producer

    Midcredits score: 68th percentile of all films

  • The Living Daylights(1987)

    Producer

    Midcredits score: 69th percentile of all films

  • A View to a Kill(1985)

    Producer

    Midcredits score: 47th percentile of all films

  • Octopussy(1983)

    Producer

    Midcredits score: 58th percentile of all films

  • James Bond: The First 21 Years(1983)

    Thanks

    Midcredits score: 53rd percentile of all films (provisional, few ratings)

  • For Your Eyes Only(1981)

    Producer

    Midcredits score: 67th percentile of all films

  • Moonraker(1979)

    Producer · as Man at St. Marks Square (uncredited)

    Midcredits score: 49th percentile of all films

  • Moonraker: 007 in Rio (not in the MovieCove catalog yet)(1979)

    Actor

  • The Spy Who Loved Me(1977)

    Producer

    Midcredits score: 81st percentile of all films

  • 007 Stage Dedication (not in the MovieCove catalog yet)(1977)

    Actor

  • The Man with the Golden Gun(1974)

    Producer

    Midcredits score: 64th percentile of all films

  • Live and Let Die(1973)

    Producer

    Midcredits score: 68th percentile of all films

  • The Day of the Jackal(1973)

    Producer

    Midcredits score: 97th percentile of all films

  • Diamonds Are Forever(1971)

    Producer

    Midcredits score: 58th percentile of all films

  • On Her Majesty's Secret Service(1969)

    Producer

    Midcredits score: 70th percentile of all films

  • Chitty Chitty Bang Bang(1968)

    Producer

    Midcredits score: 78th percentile of all films

  • You Only Live Twice(1967)

    Producer

    Midcredits score: 72nd percentile of all films

  • Welcome to Japan, Mr. Bond (not in the MovieCove catalog yet)(1967)

    Executive Producer

  • Thunderball(1965)

    Executive Producer · Presenter

    Midcredits score: 75th percentile of all films

  • Goldfinger(1964)

    Presenter · Producer

    Midcredits score: 96th percentile of all films

  • From Russia with Love(1963)

    Presenter · Producer

    Midcredits score: 91st percentile of all films

  • Call Me Bwana(1963)

    Producer

    Midcredits score: 24th percentile of all films

  • Dr. No(1962)

    Presenter · Producer

    Midcredits score: 87th percentile of all films

  • In the Nick (not in the MovieCove catalog yet)(1960)

    Executive Producer

  • The Trials of Oscar Wilde(1960)

    Executive Producer

    Midcredits score: 84th percentile of all films

  • Jazz Boat (not in the MovieCove catalog yet)(1960)

    Producer

  • Killers of Kilimanjaro (not in the MovieCove catalog yet)(1959)

    Producer

  • The Bandit Of Zhobe (not in the MovieCove catalog yet)(1959)

    Producer

  • Idol on Parade (not in the MovieCove catalog yet)(1959)

    Producer

  • Whicker's World (not in the MovieCove catalog yet)(1959)

    Show 1 episode · Actor

  • The Man Inside (not in the MovieCove catalog yet)(1958)

    Producer

  • Tank Force! (not in the MovieCove catalog yet)(1958)

    Producer

  • High Flight (not in the MovieCove catalog yet)(1957)

    Producer

  • How to Murder a Rich Uncle (not in the MovieCove catalog yet)(1957)

    Executive Producer

  • Fire Down Below(1957)

    Producer

    Midcredits score: 39th percentile of all films

  • Pickup Alley(1957)

    Producer

    Midcredits score: 41st percentile of all films

  • The Gamma People (not in the MovieCove catalog yet)(1956)

    Executive Producer

  • Zarak(1956)

    Executive Producer

    Midcredits score: 22nd percentile of all films

  • Odongo (not in the MovieCove catalog yet)(1956)

    Executive Producer

  • Safari(1956)

    Producer

    Midcredits score: 29th percentile of all films

  • April in Portugal (not in the MovieCove catalog yet)(1956)

    Producer

  • The Cockleshell Heroes(1955)

    Executive Producer

    Midcredits score: 63rd percentile of all films

  • A Prize of Gold(1955)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • The Black Knight(1954)

    Producer

    Midcredits score: 24th percentile of all films

  • Hell Below Zero (not in the MovieCove catalog yet)(1954)

    Producer

  • The Red Beret (not in the MovieCove catalog yet)(1953)

    Producer

  • The Outlaw(1943)

    Assistant Director

    Midcredits score: 23rd percentile of all films

  • The Black Swan(1942)

    Second Unit Director

    Midcredits score: 69th percentile of all films

Career shape

A full career of 48 titles from 1942 to 1995.

Biggest box office

GoldenEye (1995)

$352M worldwide

Highest rated

The Day of the Jackal (1973)

Midcredits 97th

Most popular right now

Licence to Kill (1989)

By role

only this rolewith another role
Acting4 of 48: 3 only acting, 1 with another roleProducing41 of 48: 36 only producing, 5 with another role · typical Midcredits score66thOther crew8 of 48: 4 only other crew, 4 with another role · typical Midcredits score81st

48 titles, 5 with more than one role — producing and other crew overlap on 4 of them.

By decade

1940s2 · crew1950s20 · 1 acting · 19 crew1960s12 · crew1970s7 · 3 acting · 5 crew1980s6 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Won an Oscar in 1982.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Albert R. Broccoli's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 31; across their 27 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 27

Approval · how many liked their films

68thpercentile
Typical film, the median of 27

Reach · how many have seen their films

96thpercentile
Typical film, the median of 27

Midcredits score across 31 titles, by percentile

  • 75th and up9
  • 50th to 74th12
  • 25th to 49th6
  • Below 25th4

Shape of the crowd

19 of their 31 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser19
  • Broadly Agreed5
  • Mixed4

Most loved · producer

The Day of the Jackal (1973)

Midcredits 97th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Albert R. Broccoli's work okay for kids?

Across up to 18 MovieCove titles with content scores, violence & gore and sex & nudity run heavier than most films and profanity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore18 titles44–64 · median 55 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity18 titles36–51 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity18 titles13–34 · median 24 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs18 titles30–39 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense18 titles38–54 · median 42 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Albert R. Broccoli work with?

People who share at least 2 of Albert R. Broccoli's MovieCove titles, grouped by what they did on them; Richard Maibaum shares the most, 16.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers