
Larry Brand was born on 16 December 1949 in New York City, New York, USA. He was a writer and director, known for The Girl on the Train (2014), Christina (2010) and The Basement (2002). He died on 9 February 2019 in Hollywood, Los Angeles, California, USA.
Biography from IMDb.
- December 16, 1949
- February 9, 2019 (aged 69)
- New York City, New York, USA
- Writer, director and actor, also editor and producer
- 10 on MovieCove · 16 credits in all
What are Larry Brand's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 8
Light 0 · Serious 4 · Dark 6
Grounded 4 · Stylized 6 · Heightened 0
A split, not a type: Gentle 1 · Charged 3 · Intense 6
Steady 4 · Shifting 4 · Whiplash 2
Straight-faced 7 · Some laughs 3 · Funny 0
A split, not a type: Slow burn 5 · Even-paced 4 · Relentless 1
Casual 3 · Engaged 5 · Full focus 2
Easy watch 1 · Affecting 7 · Heavy 2
Resolved 4 · Open-ended 5 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Larry Brand's films?
As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (7).
- Beyond Glory (2015) · director, editor · free
- Christina (2010) · director, writer · free
- The Right Temptation (2000) · writer · free
- Hard Luck (2006) · writer, producer · free
- The Girl on the Train (2014) · director, writer, editor · free
- Till the End of the Night (1995) · director, writer · free
- A Perfect Man (2013) · writer · free
Subscription and free streaming for Larry Brand's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 10 with a MovieCove page.

Beyond Glory(2015)
Midcredits score: 76th percentile of all films
The Girl on the Train(2014)
Midcredits score: 19th percentile of all films
A Perfect Man(2013)
Midcredits score: 14th percentile of all films
The Coexist Comedy Tour (not in the MovieCove catalog yet)(2012)

Christina(2010)
Midcredits score: 64th percentile of all films
Hard Luck(2006)
Midcredits score: 21st percentile of all films
Halloween: Resurrection(2002)
Midcredits score: 2nd percentile of all films
The Right Temptation(2000)
Midcredits score: 26th percentile of all filmsParanoia (not in the MovieCove catalog yet)(1998)
Midcredits score: 16th percentile of all films
Overexposed (not in the MovieCove catalog yet)(1990)

Masque of the Red Death (not in the MovieCove catalog yet)(1989)

Backfire(1987)
Midcredits score: 21st percentile of all films
Commander(1988)
Midcredits score: 22nd percentile of all films
The Drifter (not in the MovieCove catalog yet)(1988)

Sunday Drive (not in the MovieCove catalog yet)(1986)
Career shape
A full career of 16 titles from 1986 to 2015.

Biggest box office
Halloween: Resurrection (2002)

Highest rated
The Right Temptation (2000)

Most popular right now
Halloween: Resurrection (2002)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Larry Brand's films land?
Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 26th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th7
Shape of the crowd
7 of their 10 titles are Mixed.
- Universally Panned1
- Divisive2
- Mixed7
Reviewers score the dialogue 33/100 and the plot and story 35/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Larry Brand work with?
People who share at least 2 of Larry Brand's MovieCove titles, grouped by what they did on them; Rebecca Reynolds shares the most, 4.
Actors
- Stephen LangShared titles: Beyond Glory (2015), The Girl on the Train (2014), Christina (2010)See all 3 shared titles with Stephen Lang

- Nicki AycoxShared titles: The Girl on the Train (2014), Christina (2010)See all 2 shared titles with Nicki Aycox

Producers
- Rebecca ReynoldsShared titles: Beyond Glory (2015), The Girl on the Train (2014), Christina (2010), Backfire (1987)See all 4 shared titles with Rebecca Reynolds
- James CarpenterShared titles: Beyond Glory (2015), The Girl on the Train (2014), Christina (2010)See all 3 shared titles with James Carpenter
- Ross SatterwhiteShared titles: Beyond Glory (2015), The Girl on the Train (2014)See all 2 shared titles with Ross Satterwhite
- Kees Van OostrumShared titles: A Perfect Man (2013), Christina (2010)See all 2 shared titles with Kees Van Oostrum


