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Sarah Boyd

Sarah Boyd

Director, editor and actor

Primetime Emmy nominee

Sarah Boyd is a director best known for her work on critically-acclaimed television shows, such as The Boys, This Is Us, 9-1-1, Apple TV's For All Mankind, and Marvel's Jessica Jones. Before becoming a director, Boyd was nominated for two Emmys and an ACE Eddie for editing the hit television show LOST. She attended Yale University and got her masters at USC School of Cinematic Arts. She began her career as a child actor, with the lead role in the feature film "Old Enough."

Read more

Biography from TMDB.

Works as
Director, editor and actor
Titles
30 on MovieCove · 35 credits in all
TMDB popularity, last 155 days to Oct 26Down 19% in 30 days

What are Sarah Boyd's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 4

Grounded 5 · Stylized 1 · Heightened 0

Gentle 2 · Charged 2 · Intense 2

A split, not a type: Steady 3 · Shifting 1 · Whiplash 2

Straight-faced 3 · Some laughs 3 · Funny 0

Slow burn 1 · Even-paced 5 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3

Resolved 1 · Open-ended 5 · Ambiguous 0

Roles they play

2 analyzed roles

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
5
Warm
3
Contemplative
3
Joyful
2
Other
5

How their films end · 3 with a twist

  • Happy2
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sarah Boyd's films?

As of October 24, 2026, 28 of their 30 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Sarah Boyd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 30 with a MovieCove page.

  • Ballard(2025)

    Show 2 episodes · Director

    Midcredits score: 72nd percentile of all shows
  • Pulse(2025)

    Show Director

    Midcredits score: 38th percentile of all shows
  • Let the Right One In (not in the MovieCove catalog yet)(2022)

    Show 1 episode · Director

  • Law & Order: Organized Crime(2021)

    Show 1 episode · Director

    Midcredits score: 84th percentile of all shows
  • My Parents, The Zombies! (not in the MovieCove catalog yet)(2020)

    Casting Director

  • Love, Victor(2020)

    Show 1 episode · Director

    Midcredits score: 90th percentile of all shows
  • Upload(2020)

    Show 2 episodes · Director

    Midcredits score: 78th percentile of all shows
  • For All Mankind(2019)

    Show 4 episodes · Director

    Midcredits score: 86th percentile of all shows
  • The Boys(2019)

    Show 3 episodes · Director

    Midcredits score: 68th percentile of all shows
  • The Code(2019)

    Show 1 episode · Director

    Midcredits score: 26th percentile of all shows
  • Lost in Space(2018)

    Show 1 episode · Director

    Midcredits score: 69th percentile of all shows
  • 9-1-1(2018)

    Show 2 episodes · Director

    Midcredits score: 82nd percentile of all shows
  • This Is Us(2016)

    Show 2 episodes · Director

    Midcredits score: 98th percentile of all shows
  • Colony(2016)

    Show 3 episodes · Director · Editor

    Midcredits score: 65th percentile of all shows
  • Jessica Jones(2015)

    Show 1 episode · Director

    Midcredits score: 82nd percentile of all shows
  • Fear the Walking Dead(2015)

    Show 1 episode · Director

    Midcredits score: 46th percentile of all shows
  • The Returned(2015)

    Show 4 episodes · Editor

    Midcredits score: 49th percentile of all shows
  • The Flash(2014)

    Show 2 episodes · Director

    Midcredits score: 72nd percentile of all shows
  • The Strain(2014)

    Show 4 episodes · Editor

    Midcredits score: 68th percentile of all shows
  • Agents of S.H.I.E.L.D.(2013)

    Show 1 episode · Director

    Midcredits score: 73rd percentile of all shows
  • Midcredits score: 38th percentile of all films
  • The Frozen Ground(2013)

    Editor

    Midcredits score: 51st percentile of all films
  • Bates Motel(2013)

    Show 12 episodes · Director · Editor

    Midcredits score: 93rd percentile of all shows
  • Straw Dogs(2011)

    Editor

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Terminator: The Sarah Connor Chronicles(2008)

    Show 1 episode · Editor

    Midcredits score: 77th percentile of all shows
  • Midcredits score: 66th percentile of all films
  • Commander in Chief(2005)

    Show 1 episode · Editor

    Midcredits score: 48th percentile of all shows
  • Hard Pill (not in the MovieCove catalog yet)(2005)

    Editor

  • Lost(2004)

    Show 9 episodes · Editor

    Midcredits score: 92nd percentile of all shows
  • Tru Calling (not in the MovieCove catalog yet)(2003)

    Show 1 episode · Editor

  • Cinema Combat: Hollywood Goes to War (not in the MovieCove catalog yet)(1998)

    Editor

  • Law & Order(1990)

    Show 1 episode · Director

    Midcredits score: 79th percentile of all shows
  • Midcredits score: 49th percentile of all films
  • Old Enough(1984)

    as Lonnie

    Midcredits score: 59th percentile of all films

Career shape

A full career of 34 titles from 1984 to 2025.

By role

only this rolewith another role
Acting2 of 34: 2 only acting, 0 with another roleDirecting18 of 34: 16 only directing, 2 with another role · typical Midcredits score78thEditing15 of 34: 13 only editing, 2 with another role · typical Midcredits score66thOther crew1 of 34: 1 only other crew, 0 with another role

By decade

1980s2 · acting1990s2 · crew2000s7 · crew2010s17 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for 2 Primetime Emmys in 2006, Outstanding Single-Camera Picture Editing for a Drama Series.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Sarah Boyd's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 6

Approval · how many liked their films

56thpercentile
Typical film, the median of 6

Reach · how many have seen their films

88thpercentile
Typical film, the median of 6

Midcredits score across 30 titles, by percentile

  • 75th and up12
  • 50th to 74th10
  • 25th to 49th8

Reviewers score the atmosphere 64/100 and the pacing 49/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Sarah Boyd's work okay for kids?

Across up to 6 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles20–91 · median 52 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity6 titles28–70 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity6 titles32–86 · median 60 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles24–64 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles19–76 · median 45 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Sarah Boyd work with?

People who share at least 2 of Sarah Boyd's MovieCove titles, grouped by what they did on them; Rod Lurie shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers